...where distraction is the main attraction.

Thursday, January 23, 2014

Single Malt Report: Lagavulin 12 year old Cask Strength (2011 release)


Tuesday - Lagavulin 16 year old
Wednesday - Lagavulin 1991 Distillers Edition
Today - Lagavulin 12 year old Cask Strength (2011 release)

In what is possibly this site's final Lagavulin report, I present you with my favorite from their range...

Each year, Diageo presents to the whisky world their "Special Releases".  Amongst the old Broras and Port Ellens, whose MSRPs are exponentially increasing, sits the comparatively modestly priced annual Lagavulin 12 year old.  Sorry, that was a lot adverbs and adjectives.  Diageo makes me verbose.

Let's keep it short.  I've had the Lagavulin 12 release on a number of occasions, all of which were very positive.  It was nice to be able to buy a sample of the 2011 version from Master of Malt so I could officially dig in.

Please note: there are batch differences between each year's release.

Distillery: Lagavulin
Owner: THEM!  :-\
Type: Single Malt
Region: Islay
Maturation: former bourbon casks, possibly lots of refills
Age: minimum 12 years
Release date: 2011
Chill-filtration? No
Caramel coloring? No much, if any
Alcohol by Volume: 57.5%

NEAT
The color is pee.  My favorite whisky color.  It gives me hope that the oak levels are low and the e150a colorant is at a minimum.  The nose starts with peated sugar cookies, followed by a load of aromatic herb notes (fennel, anise, licorice) reminiscent of my other favorite distilled spirit (dubbed "The Mistress").  Then plaster, vanilla beans, bread pudding, butterscotch make up the midground.  The beach is in the background.  The palate delivers one of my favorite peat volleys.  Just a big dry chunk of peat moss.  Hints of vanilla and butter and lemon cake.  A light sweetness, like a little light brown sugar.  Then a little salt and a little savory to go with a honey & orange peel sting.  It finishes very clean and fresh with a menthol glow.  A little cracked pepper and mint leaves.  Grass clippings drying in the sun.  Some salt, along with that peat brick.

WITH WATER
The nose gets maltier.  The peat goes a little farmy.  A little more oak, but not much more.  Menthol, lemon peel, pen ink(?), and soil.  The palate gets grassy, drier, and tarter.  A nice bitterness.  Walnuts and almonds.  Earthiness, bitterness, and moss in the finish.

Oh dear.  Great whisky, steep price, ugly company.  The quandary.  That's what I thought about last night while enjoying this sample.

Looking past the troublesome details, I'd say, "WOW! Go get it, peatheads!"

Bringing in the expense, I'd say, "Wow!  Go get it, peatheads with a lot of discretionary income."

Taking everything into consideration, I say, "Fabulous liquid, a shame about everything else."

Availability - Specialty liquor retailers
Pricing - (for Lagavulin 12s in general) $85-$100 East Coast, $110-$125 West Coast
Rating - 92

Wednesday, January 22, 2014

Single Malt Report: Lagavulin 1991 Distillers Edition


Onto the whisky in the middle, Lagavulin 1991 Distillers Edition, a sample purchased from Master of Malt two years ago to the week!

There's no secret about the sherry presence in this whisky.  With its annual Classic Malts Distillers Editions, Diageo throws a whisky bone to its customers by releasing wine cask finished versions of its most popular single malts.  As they're somewhat limited, they carry a higher price tag, meanwhile their actual quality (when compared to the regular releases) is debatable.  But again, these releases do expand the somewhat narrow ranges of the Big D's "Classic Malts".

[On a grammatical note, where the hell are the apostrophes on the "Distillers Edition" appellations? Is it Distiller's or Distillers'?  I mean, it's a possessive.  The editions are for, to, of, or by the distillers.  Right?  Diageo?  Words?]

As you may have read in previous posts, I'm not the biggest fan of wine cask finishes, especially the sort of brief sherry work done on the DEs.  But since I've been tinkering around with my own finished whiskies at home, I've been trying to keep an open mind and maybe learn a thing or two.  I've tried two more recent Lagavulin DEs and found them......okay.  Absent was the Lagavulin thunder, present was a lot of PX (Pedro Ximenez sherry) sweetness that elbowed out everything else.  But those tries were in social settings.  This one was in my usual hermetic setup.

Distillery: Lagavulin
Owner: THEM!  :)
Type: Single Malt
Region: Islay
Maturation & Age: approximately 16 years in ex-bourbon casks, then less than a year in former Pedro Ximenez sherry casks
Chill-filtration? Yep
Caramel coloring? Probably
Alcohol by Volume: 43%

To make things a little confusing, there were two releases of Lag 1991 DE: one in 2007 (4/495) and one in 2008 (4/496).  Because this sample was still available to buy in 2012, I'm leaning towards it being from the 2008 bottles.  But at the same time, I doubt that it sat in the casks for an entire additional year, as it seems like a little bit of an odd unplanned risk by the normally profit-hungry ownership.  Instead, my thought is that it was done in a second batch of bottling shortly after the first.  I could be wrong about all of this, but Serge has reviewed both bottlings and given them the same score and SGP number.  If anyone has any further information, please let me know and I'll update this paragraph.  Cheers!  Now onto the tasting.

NEAT
The color is maroon mahogany.  Lots of fruity sherry on the nose, showing up as both fresh and dried fruits.  Fresh and dried cherries, plums and prunes, black grapes and raisins.  There are also some Heath Bar, corn chip, and rum-filled milk chocolate notes.  Lagavulin's spirit takes a seat waaaaaaaay in the back.  Often the peat doesn't even peek out from under the PX blanket.  But it does appear in the palate.  More moss than smoke.  The smoke that does show is a polite wood smoke.  After some air, the whisky releases a big floral burst.  And then maybe some orange zest.  It's a bit tart and very drying.  More action seems to happen in the finish as chocolate, flower blossoms, prunes, caramel sauce, and another whisper of wood smoke arrive.

WITH WATER
The nose gets much quieter even with just a couple drops of water.  Fewer fresh fruits, more dried ones (especially prunes).  Some malt finally shows up, which is nice, but so does a garbage pail full of rotting fruit, which is not as nice.  The palate is similar to the neat one, maybe a little hotter along with some young-seeming wood pulp notes.  Otherwise, raisins and prunes register the loudest.  The finish is brief, but still aromatic with more sweet sherry.

Unlike the regular 16 year old, this one doesn't swim well.  So I recommend leaving water out of it.

I didn't mind this finished whisky that much, but I also found it sort of uneventful.  Dark chocolate was brought out as an accompaniment -- as per many online recommendations -- but the two flavors didn't dance well.  (Glenfarclas remains my favorite sherried-whisky partner for chocolate.)  Even though the whisky was from five years ago, sample oxidation did not appear to be a factor since the sealed bottle was fuller than many of my more recent MoM samples.

There are a lot of sweet sherried whiskies on the market, many of which are considerably cheaper than this one, so sherry fans have a lot of other options.  Some peat-heads may be a little bored with it, so I can't recommend it to all of them, either.  I think the sherry is much better integrated than Glenmorangie's Lasanta and more brings with it more character than Bowmore 15.  But at the same time, I prefer Laphroaig's Triple Wood because, even though its cask work is very aggressive, I can still get a reasonable hit of the distillery's character.  Of course, much of these comparisons aren't entirely fair because Lagavulin is using a completely different sherry.

I don't want to make it look like I dislike this whisky.  It's good.  The nose and finish are very good, when neat.  You're going to have to like some sweet sherry in your whisky and not expect a ton of Lagavulin phenolics.  Anticipate subtlety, not fireworks.

For more positive opinions see Serge's reviews or John Hansell's; for a moderate opinion see Jim Murray's in his Whisky Biblio; for a mix of takes see the LAWS reviews.

Availability - Specialty liquor retailers
Pricing - (for Lagavulin DEs in general) $90-$130, another wide range
Rating - 83

Tuesday, January 21, 2014

Single Malt Report: Lagavulin 16 year old

Yes, I've made it this far without reviewing any official Lagavulins.  But now, to celebrate the 250th whisky reviewed on Diving for Pearls, I bust out a threesome of 'Vulins.


Today, #250 will be Lagavulin 16 year old.  Sample courtesy of Florin!

I will admit here that I have never owned a bottle of Lagavulin 16.  Instead I've only enjoyed it via other people's generosity or via buying a pour at a bar (back when it wasn't $20 a pop).  This wasn't due to any preference against Lagavulin.  I really didn't go peat moss crazy until 4 or 5 years ago, and then in the past three years I've been reducing my Diageo product patronage to zero.  But Lagavulin 16 is always of a reliable quality.  Some reviewers deem it an all-time classic like Highland Park 18.

Yet many of those same reviewers will admit that Lagavulin 16 has undergone some changes over the past decade.  Some years were deemed a little grittier and rawer, other years sweeter, other years oakier, other years smokier, other years sherrier.  We all have our palate sensitivities, but there may be something to the more recent claims of changes.  Around nine years ago, Lagavulin cask maturation moved from Islay to mainland Scotland, thus perhaps temperature, humidity, and climate differences in warehouses resulted in shifts in character.  In 1997, the distillery ramped up production to meet with increased demand, so starting with the most recent bottlings you may be drinking whisky from stills that were pushed harder than they were in the past.  (Here are some links with some of these discussions: WhiskyMag forum chain, WhiskyWhiskyWhiksy chain, Driscoll, David OG.)

This sample came to me in 2012, so it's from spirit distilled before Lagavulin distillery changed their processes.  I will say there is definitely some sherry lurking within...

Distillery: Lagavulin
Owner: THEM!  :)
Type: Single Malt
Region: Islay
Maturation: likely a mix of ex-bourbon and ex-sherry casks
Age: minimum 16 years
Chill-filtration? Yep
Caramel coloring? Yep
Alcohol by Volume: 43%

NEAT
The color is DiageoGold™.  I always found some sort of cinnamon thing going on in Lag16's nose, and happily it showed up on cue with this sample, this time reading as cinnamon sticks.  There's more peat moss here than in the palate, and it's joined by creme brûlée and vanilla pudding.  Then there's some Super Ball rubber and grapefruit, along with a little bit of sherry and golden raisins.  After 20+ minutes of air, much more citrus shows up.  It gets sugary and mossier.  Some caramel sauce as well.  The palate leads with boat diesel exhaust and charred fish.  The loch's on fire!  Then comes honey, wood smoke, and a veggie note that's not dissimilar to sautéed kale.  Maybe a little black pepper (though it's no Talisker) and pencils.  Very tannic on the tongue.  The finish is sweeter than the palate.  Smoke and charred meat, along with a tart candy tingle.  It's long-lasting considering the ABV and filtration, but its make up is mostly smoke.

WITH WATER
(A thing of note: I finally bought a glass eye-dropper.  Previously, I'd been using small spoons to apply water to whisky.  But now I'll never go back.)
With just a few drops of water the whisky undergoes one heck of a transition.  In the nose there's a flood of sherry notes.  Oloroso sherry, dark dried fruits, cherries, and milk chocolate.  The cinnamon sticks are still there.  New notes of sawdust and leather couch.  But the more water drops, the more sherry shows up.  The palate gets much sweeter and meaty.  Sugar, caramel, and oranges.  It's still smoky, but the moss element grows as does some bitterness.  It finishes very tartly and dry.  Smoke, coffee grounds, and dark chocolate.

This is very good whisky.  If new and future bottlings do change, I hope it is not for the worse.  I may not wish the best for Diageo, but I don't like seeing whiskies lose their mojo due to financial decisions.  If you're a peated single malt lover and haven't tried Lagavulin 16 yet, then I'd recommend doing so.  If you can find it at a bar for $15-or-less, I'd suggest trying it that way rather than forking out larger sums for a blind bottle buy.  Maybe you'll fall in lust with it as many have or maybe you'll stay with your current favorites.

As for me, I find it of similar quality to younger official versions of its neighbors, Laphroaig and Ardbeg.  And it actually isn't that much of a step above Caol Ila 12.  I think the watering down, coloration, and filtration prevents a proper presentation to what should be a gorgeous middle-aged Islay.  (And may I be the 10,000th person to request a 46%ABV NCF version?)  But as I said before, it's still very good.  Quality and bold character still sneak through all of Diageo's manipulation.  And the fun shift that added water brought gives it a couple extra points in my book.  I can't promise there will be any sherry notes in future bottles nor do I have any idea how loud the peat will shout.  But hopefully it remains recognizably Lagavulin.

Availability - Most larger liquor retailers; also Costco has good deals once in while
Pricing - $65-$100, yes it's that wide of a swing
Rating - 88

Friday, January 17, 2014

'Phroaig Phriday: Laphroaig 10 year old Cask Strength Batch 005

Okay, maybe one more report this week.  Since there was a Laphroaig last Friday, I'll do another one today.  This time it's even a current bottling.  WOW!

I like Laphroaig's batches of 10 year old CS.  They bottle a new round every year and each tends to be pretty solid.  I reviewed batch 002 way back in the day (almost two whole years ago) and was very taken by the multi-layered finish.

No matter how many bottles Laphroaig churns out of the 10yo CS, it's often very hard to come by via European retailers.  Meanwhile, here in The States it appears to be easier to get, but the price rises $5 to $10 with each new batch.  In California, the price is climbing close to $80.  But last month, while traveling with my in-laws in Upstate New York, I found a bottle for $57.  And promptly grabbed it.  This review is from my bottle.  Not the top of the bottle, rather a few drinks down the shoulder.

I don't have a bottle pic as the bottle currently resides 3000+ miles away, so I'll have to go with an official one.

Distillery: Laphroaig
Owner: Beam, Inc. (who have their own new owners...)
Type: Single Malt
Region: Islay
Maturation: ex-bourbon barrels
Age: minimum 10 years
Batch: 005, Feb 2013
Chill-filtration? No
Caramel colored? Probably not
Alcohol by Volume: 57.2%

NEAT
The color is apple juice gold.  The first thing about the nose that strikes me is all of the rich American oak, much more than I remember there being in previous batches.  It's not off-kilter or new-ish oak (like in yesterday's report).  Instead it's a series of notes -- vanilla beans, coconut cream, and sawdust -- that are firmly integrated with the matured spirit notes.  There's very fruity honeyed peat that shifts to peat moss after several minutes.  Whole cloves, star anise, and dried cherries bundled in a burlap sack.  An occasional whiff of wood smoke too.  Lots of burnt stuff in the palate, from peat cigarettes to barrel char to wood ashes.  Some baking chocolate bitterness and hot tar.  A very intense herbal blast; not cooking herbs, but rather something more medicinal.  That note carries right into the finish and meets with sea salt and fresh seaweed.  Charred fish.  Something I can only describe as tangy tar.  It's extensive and very drying.

WITH WATER
The burnt peat and cigarettes meet with some fresh apples in the nose.  Then grapefruits and cherry lollipops.  The beach, including sand and rotting seaweed.  The peat is more prominent now, the oak lessened.  The palate is lightly bitter, lightly creamy, and lightly floral.  There's the peat cigarette smoke and some orange and lemon rind.  It gets more candied with time.  The finish is also lightly bitter.  Some lingering smoke and a growing sweetness.

I read two reviews online in which the writers said they'd found sherry notes in this whisky.  I think what they'd experienced is the very rich oak imparting bold (not buttery) characteristics, maybe even some dried fruit.  This is indeed the oakiest of the Laphroaig 10yo CSes I've tried, the earlier batches being more nude and raw.

From what I've gathered from reading reviews by anoraks who have been drinking longer than I've been alive, this oak prevalence is becoming the new style almost across the industry.  When the oak is done well, it does add some richness to the whisky.  When it's done poorly, it's pretty awful.  The complaints by the older drinkers somewhat match my own: the added oak notes come at the expense of the actual malt spirit character.

I think ramping up the cask influence (via recharring, switching casks, warehouse climate adjustment, and increased knowledge about the oak itself) is easier and cheaper to do than improving the distillate.  If the company in charge of the distillery wants to make more product for less expense, then barley strains are going to be chosen for the amount of alcohol that can be squeezed out of each grain, yeast will be chosen for its activity, and still heating will be changed to cheaper less labor intensive means.  This will result in less expensive production processes, but it will also have an effect on the nose, palate, and texture of the resulting product.  And that's where the oak comes in to help bring more life into the whisky, or sometimes to artificially speed up the maturation.

All of that being said, I do like this batch of Laphroaig CS.  It's different than earlier versions, noticeably more decorated on the nose, but the oak plays well with the spirit.  If you prefer a brawnier Laphroaig zap, then I recommend going with an earlier batch (if you can find it).  I haven't had batch 004, but I do know that 001-003 are more raw than 005.  I hope that helps and I hope you find it at a good price.

Availability - Specialty retailers, though more available in the US than Europe
Pricing - $60-$85 (US), much higher in Europe
Rating - 87 (score dropped to 85 in a subsequent review)

Thursday, January 16, 2014

Single Malt Report: Aberlour 13 year old 2000 Exclusive Malts (K&L exclusive)

Okay, I've gotta get a review in before this week slips away whiskyless.  What a shame that would be.

Four weeks ago, I posted a life-of-the-bottle report on the K&L exclusive Bowmore 2002 from Exclusive Malts.  It was an odd whisky with its malt overwhelmed by aggressive (and occasionally off-putting) oak.  That whisky wasn't a complete loss.  With lots of air and a little bit of water, it's decent.  But compared to the rest of the often excellent indie ex-bourbon cask Bowmores I've tried, it didn't fare well.

Released last year, that Bowmore is one of four single malts bottled by The Creative Whisky Company and sold exclusively through K&L Wine Merchants.  The other three, all very much in stock, are Fettercairn, "Island Distillery", and Aberlour.  My friend Florin (who also had issues with the Bowmore) sent me a sample of the Aberlour from his own bottle.

Aberlour's official bottlings are well known for a considerable ex-sherry cask influence.  In order to get a clear sense of what their malt tastes like without sherry, one often has to go to independent bottlings.  I'm not the biggest fan of the Aberlour's OBs.  That has its root in an awful awful bottle of the 10 year old, purchased and quickly handed off seven years ago.  But I have tried two indie ex-bourbon cask Aberlours and enjoyed them both.  One of those whiskies was another 2000 vintage from Exclusive Malts, a 12 year old released in the US in 2012.  So, though hesitant to buy my own bottle of the K&L whisky, I looked forward to giving the sample a try.  Thanks, Florin, for this opportunity!

Distillery: Aberlour
Independent Bottler: The Creative Whisky Co. Ltd.
Series: The Exclusive Malts
Retailer: K&L only
Age: June 2000 - 2013 (13 years)
Maturation: "Oak Casks" (American oak in this case)
Region: Speyside (Banffshire)
Alcohol by Volume: 55.1%
Chillfiltered: No
Colored: No


NEAT
The color is a medium gold.  The nose is just loaded with honey.  As a citrus note edges in, it reminds me of orange blossom honey.  But the nose is also very woody, similar to the Bowmore but less punishing.  Sometimes it's a little piney, sometimes it smells a little green (if that makes any sense).  Then there's some cardamom, dried ginger, and Juicy Fruit gum.  After some time, a touch of varnish shows up, then some anise and a hint of papaya.  At times it smells little blend-ish when it doles out a big chunk of lightly-spiced vanilla.  The palate is a little unusual so please pardon these weird notes as I'd tried to capture it.  At first there are nuts (peanuts & almonds), salt water taffy, lots of butter, a chocolate/caramel/tobacco hybrid, and shortbread cookies.  The butteriness mixes with the chocolate/caramel/tobacco thing, then out bursts some very young malt spirit followed by a considerable push of burned oak.  It's not off-putting but it is unbalanced.  The prevalence of butter, caramel, and actual charred wood point towards a cask that's overwhelming the malt.  Lots of oak in the finish as well.  Some of that young spirit too.  Lots of nuts.  Plenty of alcohol sting but narrow in content otherwise.

WITH WATER (approx. 43% ABV)
Honey, barrel char, caramel, and cardamom lead the nose.  Some pine needles and butter.  The papaya hint still sticks around, along with a floral (blossoms, not perfume) note.  The palate is more pleasant.  Very caramelly, nutty, and sugary.  Seems to get maltier too, and has a nice spicy zing.  The finish is briefer, but the malt shows well.  It's sweet and a little grassy.  Some of that spice and vanilla.  And then at the very very end (like 45 minutes into the process) a dried leaves in caramel sauce note appears.  That was my favorite part.

I'll start with the good aspects.  The nose is enjoyable with or without water.  But I definitely recommend adding water here.  While it causes the whisky to lose some complexity, it helps out by making both the nose and palate more pleasant and less oaky.

But there is still so much oak showing up in every corner of this whisky.  It almost seems as if they'd used virgin oak casks.  But at the same time, the whisky releases volleys of very young distillate.  So it's somehow both oaky and young, and usually not in balance.  It made me wonder what the whisky would be like had it been left to age another few years......in a different cask.

The Bowmore had similar issues, but the Aberlour's are easier to navigate and modulate.  The Aberlour makes for easier drinking -- and that comes from someone who usually prefers peated whisky.

The price on the Aberlour is very reasonable in the current market.  In fact, it's 25%-30% cheaper than the Exclusive Malts Aberlour from 2012.  Personally, I have no interest in buying a bottle, but I'd drink it again.  Meanwhile, I'll be on the lookout for other indie ex-bourbon cask Aberlours.

Availability - K&L Wines
Pricing - $64.99
Rating - 82

Monday, January 13, 2014

NEEDED: Whisky Consumer Advocacy

I began 2013 as a fawning fan of all things whisky.  I ended the year angry.  Much of the latter part of the year I spent internalizing way too much frustration.  But I'm not keeping quiet this year because when it comes to whisky, though the liquid is fun much of the rest is not.

There’s a lot being written about whisky both online and in print.  Most of it ultimately serves as promotional material for large corporations.  Even when the crustiest and most cynical of us bloggers write, “Hey, this is pretty good” about a whisky, we’re helping get more bottles sold.  But saying something nice about something we like isn’t the problem.  The issue at hand is the widespread regurgitation and propagation of marketing material at the expense of factual information and independence.  Plenty of folks are writing to support the whisky industry, but how many are considering the readers and consumers?

Let’s take a step back for a sec.  There are many categories of people writing about whisky, each with different influences in play.

Firstly, we have independent bottlers, like Single Cask Nation and Caskstrength.  Then we have retailers, like K&L Wines, who also occasionally do their own independent bottling.  These first two groups have a vested interest in sales.  That’s their income, it’s their job.  As long as they clearly disclose to their readership their involvement with the industry, then it is up to the reader to consider how much that involvement influences the writers' reviews or opinions on the business.

Next, there are the paid writers.  Their numbers are few.  Paid writing gigs are difficult to come by in any industry and whisky is no exception.  Sometimes these (mostly) men publish books, but more frequently they write articles for a handful of whisky journals.  While books don’t require outright advertising by whiskymakers in their pages, the journals do.  Those print ads can be the cause of healthy skepticism in a reader.  On one page he will see an advertisement for Glenmorangie, then five pages later a loving article about Master Morangie Bill Lumsden, then twelve pages later a rave review of the newest limited edition GlenMo.  While I don’t believe writers are being forced to sculpt their content, journals (and books) will have a difficult time being published if the industry that creates their subject matter experiences a steep decline or is no longer deemed exciting.  So while the writers may not purposely write things to keep the industry zooming along, it is in the publishers’ interest that whisky revenues barrel ahead.

Finally, there’s the vast blogosphere.  There are hundreds of us writing and posting tasting notes.  Some of us have direct connections to the industry, most of us have none.  Some of us get free review samples directly from the companies, most of us do not.  Some of us shmooze industry types, some of us attend free tastings, some of us resell our bottles in the secondary market.  Some of us do none of those things.  But those things we do, those social or financial choices, must be disclosed to our readerships in order to give everyone what he or she needs in order to consume our content in an informed fashion.

Three months ago, MAO from My Annoying Opinions critiqued the blogging community both privately in the Whisky Bloggers Facebook group and publicly on his blog.  He challenged us by saying that all of our warm “fuzzy” buddy-buddy-ness with each other, and with whisky professionals, had created a “(soft) corruption”, and that any sort of “spirit of critique” no longer existed.  He was roundly shouted down and labeled a “troll”.  Perhaps people took issue with his tone, as he minces no words.  Perhaps people were very comfortable in their give-and-receive whisky lifestyle.  Perhaps people felt like they and their friends were being criticized as human beings.  Unfortunately the one blogger who answered the challenge and attempted some public self-deconstruction took all the heat for sins that have been more heavily exploited by others.  The discussion turned absolutist and staunchly partisan and ultimately everyone went back to his and her Twitter Tastings.  MAO's original reasonable point was left neglected, and I was left concerned that most of us couldn’t bear to spare any meditation on the matter.

Those who say that blogging is merely a masturbatory endeavor are either deluded, in denial, or protecting something.  Only masturbation is masturbatory.  Once your blog post is "published" an audience other than you, the author, reads it.  Sometimes it is three people.  Sometimes it is 300,000.  Your words appear on someone else's screen and exist in that person's life.

People buy bottles of whisky after they read our reviews.  Yes, even some of my readers have purchased things influenced by something I’ve written.  Even I, a reader who hates buying blind, have bought things after seeing a number of positive reviews by bloggers I like.  Whisky is getting very expensive and there’s a whole lot of marketing blather out there, so folks are looking for reviews that appear at least somewhat independent.

I’ll frame that last paragraph another way.  For those bloggers who are posting reviews of whisky provided directly from brand ambassadors or other industry employees, please disclose in your review that the whisky was provided directly from a brand ambassador or another industry employee.  And even more importantly, I urge you to consider your readers when writing a final assessment of that free whisky, because that whisky you received for free is not free to your readers.

If you’re posting a 90-point/4.5-star/A-rated review about your free whisky and you yourself are not running out to buy a bottle of it with your own money, then I encourage you to tell your readers why.  Those folks inspired by your words will need to spend their own income to get that same whisky.

And to all bloggers, before you continue perpetuating popular whisky tales, go in and do some research.  Give us facts.  For instance, here's one issue: people writing extensively or repetitively that whisky prices are going up due to shortages caused by massive whisky sales over the last several years.  There are tables and PDFs available via the SWA and Shanken News Dailey and Drinks Business Review as well as other (often free) spirits news sites demonstrating that growth of volume sales has not risen consistently from year to year nor has volume growth been consistent across all brands.  I am not denying that whisky revenues have been up, nor that volume sales were very good in 2013.  Just give some numbers and facts before contributing to the scarcity fears stoked by companies that stand to profit off of fear-based purchasing and the resulting price bloat.  If your research supports the scarcity story, then that’s fine, give us the info.

I also encourage independent bloggers to challenge the industry when their tactics either mislead consumers or blur the truth.  There are the small things cropping up on a regular basis.  For instance, when "news" broke that Diageo will be releasing a new range of Mortlach single malt, it was revealed that the entry malt will be named Rare Old.  As an entry malt, a non-age-statement entry malt, it is almost certainly neither rare nor old.  But nonetheless they named it that and it is purported to be priced in the JW-Platinum-$90-range.  Or, how about the catalyst to my current discontent?  The Glenlivet Alpha.  There was an almost total lack of comment on the cynicism behind the abandon-all-ye-brains-and-wallets approach to the Alpha, a glorified version of the Nadurra but at thrice the price and with a lower ABV to match.  Rather, quite a portion of the blogosphere seemed to fall over itself to get a sample and encourage the mad rush to buy into a zero-disclosure ugly marketing stunt.  Meanwhile, the Rare Old and Alpha lead to another concern on a much larger scale: the growing spate of NAS releases means even less disclosure about what's inside the product consumers are buying.  Why should we not question the industry's fear of informed consumers?  If we don't question, then who will?

This is my plea for all of us to maintain a level of independence and keep our readers in mind.  I used to have 40+ blogs on my newsfeed.  Now I have 10, and a couple of those I keep on the feed just to piss me off.  Yes, whisky is a tremendous and glorious thing.  But not every whisky is tremendous and glorious and excellent and a rip-roaring rollercoaster thrill ride.  If every single review you write is about an amazing whisky, then I stopped reading your blog.  If you never site where you've sourced your whisky, then I stopped reading your blog.  If your blog actively encouraged scarcity fear, then I stopped reading your blog.  If your blog made generalizations that only served to benefit the industry, then I stopped reading your blog.  All it would have taken to keep this reader around would have been some background information about your whisky and some facts to back up your stories.  These elements lead me to believe you have thought about your readers before you clicked Publish.

So where the hell did this post come from?

Stop and consider for a moment what you value as a drinker and what the industry values.  Do those values match up?  As a whisky consumer, I would like good whisky I can buy.  Publicly-traded whisky producers would like to sell as much of a product at as high of a price and at as low of a cost as they can.  I don’t like paying more for less.  In order to satisfy their balance sheets and investors (which they value more than their employees, customers, and product quality), and to thus maintain rising growth, corporations need me to pay more for less.  You see how these things don’t really match up?

I believe many of the actual distillers and blending teams are working their tails off trying to create a product they can be proud of, often with ingredients of lessening quality.  But because most companies desire constant revenue growth above all else – thus all of the lawyers, lobbyists, and marketing divisions – selling a brand is what’s important.  So what if they lose a customer like me?  There are new malleable customers to be had, everywhere.  The lose-a-customer-gain-a-customer approach is not the best way to do business, but the tobacco industry got by on it for years.

If you think I’m a commie dick for my anti-corporate ravings, that’s fine.  You won’t be the first.  But at least think about your readers, your fellow drinkers.  There are enough mechanisms in place to support the whisky industry.  Why not recognize the rest of us, the humans?

Nothing we, the blogosphere, write exists in a vacuum.  Our rave reviews can sell bottles, which may eventually influence prices.  Our perpetuation of marketing blurbs (whether fact or myth) can sell bottles, which may eventually influence prices.  I doubt my little bloggie here has much influence on its own, but it is part of the larger blogosphere and sometimes contributes to The Whisky Talk.  In fact, I think half my readers are my fellow bloggers, which is why I wrote this.  Diving for Pearls has been far from exemplary in the past and should be held to the same standards I just wrote.  So here are some disclosures:
  • 96% of my reviews have been from sample swaps, sample purchases, gifts from friends outside the industry, or my own bottles.  The remaining percentage includes whiskies I’ve consumed at ambassador/rep-led free tastings.  As of the beginning of 2013, I stopped rating whiskies consumed at these events.  I will make an effort in every review to reference where the whisky came from.  If I don’t, please call my attention to it.
  • I do know a few brand ambassadors and distributor reps.  I say this not as “I’m kind of a big deal”, but instead there are a few folks from The Dreaded Industry whom I find cool to chat and drink with.  None of these people have requested any reviews of their products.
  • I actually wouldn’t mind working in the industry in some fashion.  In fact, I’ve snooped around about a few jobs.  But since I socialize and network terribly, that’s probably cost me some employment.  And I’m pretty sure I’ve written a couple things that potential employers wouldn’t be terribly excited about.
I would like to see a strong smart independent whisky blogosphere.  That would be fun.  I would also like some good whisky I can buy.  That would be fun too.  These are things within our reach.  So, let's all work to bring the fun back in 2014, okay?

Friday, January 10, 2014

Single Malt Report: Laphroaig 25 year old Cask Strength (2011)

Okay, so you weren't too impressed with yesterday's leadoff 2014 report?
Then it's time to bring in one of the big guns.

See, I have some goodies in the stash.
This sample, about 35+ mL, was gleaned from the groovy Laphroaig Vertical back in December 2012.  Remember, this one?

Photo courtesy of the great Bino Gopal
I escaped the event with a few samples, such as the 2012 Cairdeas Origin, and will review the remaining ones before 2014 is done.

Today, it's the 25 year old Cask Strength, 2011 version.  I wasn't sure what to expect of it, since my notes from the December 2012 tasting were a little on the esoteric side.  Jim Murray said this particular 25yo CS was "quite possibly the finest bottling of Laphroaig" he's yet had.  That actually doesn't mean much in reality since we each have our own palates; and his prefers LVMH products.  But I digress.  The regular Laphroaig 18 year old, which weighs in at a similar ABV (48%) is a little on the soft side in my opinion.  Meanwhile the 21 year old CS in the group photo above, the "Heathrow" bottling, is damn near erotic.

So I wasn't sure how this one would play, though I hoped it would taste like Laphroaig.

Filled past the brim, my sample bottle runneth over.
Distillery: Laphroaig
Age: minimum 25 years
Release Year: 2011
Chill-filtration? No
Caramel colored? Probably not
Alcohol by Volume: 48.6%

Firstly, the nose is a novel.  It starts with chalk, cocoa, and Armagnac.  Some sweat, then a very fruity peat.  Mentholated Calvados, papaya, muddled ripe peaches, and sticky confections.  Then at the 30 minute mark, there's this burst of Southern peaches in the summer; that ripe scent you can smell right through the stem.  Then caramel sauce and peach creamsicles.  At 50 minutes, there's some sugary citrus, toffee, cherry liqueur, grapefruit juice, and a hint of iodine.  So, yeah, the nose is alright.

The palate is leaner, but more focused.  There's so much peat moss it's ridiculous.  Somehow it withstood all that maturation time.  Then very rich cigar tobacco, dog fur, a hint of orange peel, baby powder, and jasmine flowers.  (Some of those descriptors I haven't actually tasted, but the flavor reads identical to the scent.  Though, dog fur?  Yum.)  After 40 minutes, here's comes the vanilla beans, orange candies, and peach crumble.  Fruity but not super sweet.

The finish is peat peat peat.  Some of the nose's tropical fruits show up, as do the dogs.  Caramel, a little bit of peach, charred pork, and camphor.  It's immense, tangy, and fragrant.

That fresh peach note in the nose is a stunner.  It teleported me back to July 2004 in DC, as I tore through peaches by the pound.  In the mouth, the peat radiates so much more than it does in the 18yo.  The cask combination in here is seamless; I can't tell where the oaks start and stop.

Now don't......don't look at the price for sec.  I know you just did.  Crap.  Now you see that Macallan isn't the only one charging a fortune for 25 year old non-limited official bottlings.  In Laphroaig's defense, at least they're bottling at a higher strength and it's a little cheaper.  And that's about it for any defending I'll do about the price.  Money aside, this is great whisky.  It's my favorite Laphroaig that I've reviewed here, so far.

(Please note: Laphroaig has released at least six batches of the 25yo.  This review only covers the 2011 edition.)

Availability - Specialty retailers on both sides of the Atlantic
Pricing - $450-$500 (US), $350-$450 (Europe, shipping not included)
Rating - 92