I'm taking a few weeks off from Bourbon and Rye Day Friday. American whiskey has been my go-to for casual drinking this summer and, as often happens, I've reached a saturation point after two months. All that oak stuff exhausts my palate after a while. One might say I can't handle my wood. Or perhaps I've handled it too much.
Also my Scottish samples outnumber my American samples by a ratio of 7:1, so I need to make a dent in the scotch. And it wouldn't hurt if I occasionally reviewed a contemporary whisky.
Back when it was in The Edrington Group's portfolio, Tamdhu bottled a very limp 10 year old. I always found this odd because Edrington was simultaneously releasing excellent official versions of their other distilleries, Highland Park and Macallan. My theory had been that the 10yo was just an afterthought, with most of the Tamdhu malt going into Famous Grouse, but then The Group sold Tamdhu to independent bottler Ian Macleod. The new ownership pulled the old version off the market, replacing it with a sexier bottle, with more sherry cask action and a 125% price increase.
The bottle is cute and I do want to support a small-ish scotch company, but damn, $65 for a 43%abv 10 year old?! Luckily this whisky made an appearance at Columbus Scotch Night in July, so I was able to slink away with a review sample.
Distillery: Tamdhu
Ownership: Ian Macleod Distillers
Region: Speyside (Central)
Age: 10 year old
Maturation: ex-sherry casks, a mix of American and European oak
Alcohol by Volume: 43%
Chillfiltered? Probably
Colored? whiskybase says No
NEAT
Its dark gold color looks only moderately suspicious. The nose begins with an amusing combo of dark chocolate, toffee, new sneakers and a slightly funky moldy note. There's something phenolic in here, but I'm not sure it's from peat. With time it picks up toasted oak notes, and the dark chocolate turns to milk chocolate. The palate starts with a rich Oloroso note reminiscent of (if not better than) GlenDronach 12. As it opens up, it gets a spicy and effervescent feeling, like good ginger beer. Here comes some PX sweetness to go along with a bitter chocolate note. Both floral and earthy at times. The finish has fresh ginger, milk chocolate, black pepper and soil. A good length to it.
WITH WATER (~35%abv)
The nose is maltier, cleaner. More toffee. Some orange peel and roses. The palate is less earthy, more peppery. The sherry is nuttier and there's just a hint of bitterness. The finish stays long. Similar to the palate, yet it picks up the nose's new orange peel and rose notes.
WORDS WORDS WORDS
Much better than I'd expected. There's still some youth and funkiness to it that the big sherry doesn't choke out. Despite the low abv, it swims well, delivering a prettier whisky when diluted. Though I still balk at dishing out ≥$60 for it, Tamdhu 10 is better than most of the sherried stuff at this price, especially Mac 12. If I'm in the mood for its type, and I can find it ≤$50, then I'd buy it.
Availability - Worldwide
Pricing - $55-$70 USA, $35-$50 UK (ex-VAT)
Rating - 85
Friday, August 11, 2017
Wednesday, August 9, 2017
Glen Elgin 26 year old 1985 Blackadder, cask 1527
If you studied every frame of the first episode of Killing Whisky History—and I'm sure you have—then you'll know White Horse Distillers obtained Glen Elgin distillery in 1930, utilizing its production for the White Horse blend.
Glen Elgin had foundered almost immediately upon opening in 1900, closing after five months of production. It was mothballed and sold off the following year. A wine company bought it in 1906 restarted production, then sold it to Scottish Malt Distillers (SMD), the owners of White Horse, two decades later. SMD became UD which becamePOS Diageo.
Glen Elgin provided an official 12 year old to the Flora and Fauna series for a couple of years before becoming part of the "Hidden Malt" series in 2002. There was a Manager's Choice bottling eight years ago, but there were no "Special Releases" of it until this year. (I don't know what's going on with the "quotes" here.)
Today's sample is a single cask from Blackadder, distilled before Glen Elgin had its current set of stills installed. This cask was all of 46.3%abv, so I'm anticipating some quirk.
Distillery: Glen Elgin
Owner: Diageo
(Sample purchased from LASC for an event I couldn't attend in 2015.)
NEAT
Its color is very light, with Raw Cask Shmutz®! The nose......yes, some quirk. There are two sides to this creature. It has a pretty side, with stone fruits, chocolate malt, vanilla and a hint of lemon peel. Then there's this other side. Soap and turpentine. Never got The Turps from a 20+ year old scotch before. A moldy basement note sits in the middle, but I like that smell. The idiosyncrasy continues into the palate. It starts off sharp, and both soapy and earthy. Like someone didn't scrub hard enough. There's also leather and carpet. Some dried herbs, but a bitterness that feels oaky. It finishes hotter than expected. Ashy, peppery, drying and burnt. New carpet smell. Lightly malty and weirdly bitter. Adverbly adjective.
WITH WATER (~40%abv) because what the hell
The nose is better. Dusty and fruity, with some apples rolling in. Fresh oregano and candy canes. The palate remains a bit hot, but there's some decent tart citrus in there. More vanilla. That moldy basement note. Lots of the citrus sticks around for the finish, which is grassy and tingly with some mothballs. It's also longer than the neat finish.
WORDS WORDS WORDS
When they rolled this cask in for filling and pulled its bung plug, it said "LOL." It then cracked in three places and died.
The whisky is a curio, but not more than that. It improves with water. Hell, Blackadder should have broken with tradition and bottled it at 40%, because it ain't working where it is. Or perhaps they should have sent it to the Big Blend House in the Sky.
Availability - No
Pricing - Liver cells
Rating - 71 (with water only, 62ish when neat)
Glen Elgin had foundered almost immediately upon opening in 1900, closing after five months of production. It was mothballed and sold off the following year. A wine company bought it in 1906 restarted production, then sold it to Scottish Malt Distillers (SMD), the owners of White Horse, two decades later. SMD became UD which became
Glen Elgin provided an official 12 year old to the Flora and Fauna series for a couple of years before becoming part of the "Hidden Malt" series in 2002. There was a Manager's Choice bottling eight years ago, but there were no "Special Releases" of it until this year. (I don't know what's going on with the "quotes" here.)
Today's sample is a single cask from Blackadder, distilled before Glen Elgin had its current set of stills installed. This cask was all of 46.3%abv, so I'm anticipating some quirk.
Distillery: Glen Elgin
Owner: Diageo
Independent Bottler: Blackadder (Raw Cask)
Region: Speyside (Lossie)
Region: Speyside (Lossie)
Age: 26 years (May 1985 to November 2011)
Maturation: "Oak cask" or what was left of one
Cask number: 1527
Limited bottling: 218
Cask number: 1527
Limited bottling: 218
Alcohol by Volume: 46.3%
(Sample purchased from LASC for an event I couldn't attend in 2015.)
NEAT
Its color is very light, with Raw Cask Shmutz®! The nose......yes, some quirk. There are two sides to this creature. It has a pretty side, with stone fruits, chocolate malt, vanilla and a hint of lemon peel. Then there's this other side. Soap and turpentine. Never got The Turps from a 20+ year old scotch before. A moldy basement note sits in the middle, but I like that smell. The idiosyncrasy continues into the palate. It starts off sharp, and both soapy and earthy. Like someone didn't scrub hard enough. There's also leather and carpet. Some dried herbs, but a bitterness that feels oaky. It finishes hotter than expected. Ashy, peppery, drying and burnt. New carpet smell. Lightly malty and weirdly bitter. Adverbly adjective.
WITH WATER (~40%abv) because what the hell
The nose is better. Dusty and fruity, with some apples rolling in. Fresh oregano and candy canes. The palate remains a bit hot, but there's some decent tart citrus in there. More vanilla. That moldy basement note. Lots of the citrus sticks around for the finish, which is grassy and tingly with some mothballs. It's also longer than the neat finish.
WORDS WORDS WORDS
When they rolled this cask in for filling and pulled its bung plug, it said "LOL." It then cracked in three places and died.
The whisky is a curio, but not more than that. It improves with water. Hell, Blackadder should have broken with tradition and bottled it at 40%, because it ain't working where it is. Or perhaps they should have sent it to the Big Blend House in the Sky.
Availability - No
Pricing - Liver cells
Rating - 71 (with water only, 62ish when neat)
Monday, August 7, 2017
Drinking in Ikebukuro, Part 2
The evening from Part 1 continued...
I hung out with a few local folks while I had a good crisp IPA by Crux Fermentation Project. Tried that Hazelburn 9yo Barolo Cask on the left side of the above pic. It was much better than I'd expected. Then Will gave me a try of the sherry and American oak edition of Mars Komagatake which was very good.
After I left Abbot's Choice and before Will and I went to Quercus, logic would dictate that I had met up with Will. And I did! At his bar, Buffalo Tap.
Walking into Buffalo Tap, I couldn't help but grin. Will was living the dream. Or, at least my dream. And probably his dream. Here was a small neighborhood bar with maybe a half dozen seats, and a well-curated whisky and beer selection. No, there aren't 500 whiskies, but the stuff that's there is great. It's exactly what I wanted to do when I moved to Ohio, but the ancient liquor laws got in my way.
![]() |
| Take THAT, Bar Argyll! |
He also poured me a bit of this bizarre thing:
Known as Suntory Za, this peculiar thing was the first blended whiskey designed by Suntory's current blender Seiichi Koshimizu, back in 2000. The good news is Koshimizu-san's whiskies got better after this one. Once Will told me this whisky spent time in cedarwood, that's all I could taste or smell in it. For more info on it, see Will's post.
Once I was done drinking Will's whisky, we headed out for some more whisky. Our first stop was Quercus (reviewed here). By the time we were done there, it was quite late. The second planned stop, Oasis, had closed. But the owner suggested we go to his new bar, Nonesuch.
It was about 2am at that point. It was time for a fourth (or fifth?) meal to keep us young folks going. We spotted an all night Indian food joint. Over mildly spice dishes and arm-sized slabs of naan, we discussed Twitter and the philosophy of David Hume, as you do.
Then it was to Nonesuch! From what I recall (blurry), it's a British music themed bar. Posters and record covers on the wall. BUT, MOST VITALLY, Starcrash was playing on a big TV in the corner. A fabulously crap Italian-produced Star Wars ripoff, Starcrash stars the lovely Caroline Munro (playing it totally straight) and Marjoe Gortner (who's unsure if the whole thing is campy or not). Hasselhoff shows up at some point, as does Joe Spinell. Christopher Plummer makes several appearances because I'm only assuming the producers were holding his family hostage. Regrettably, everyone keeps his and her clothes on, except for a giant metal robotress. Otherwise it's terribly delightful, or delightfully terrible. I own the DVD, but seeing it playing on a TV in a British-themed Tokyo bar at 3 o'clock in the morning is one of the great things.
"Imperial Battleship, halt the flow of time!"
"Imperial Battleship, halt the flow of time!"
Also, I drank this...
...which I dare say was damned good. All the single cask Chichibus I've had thus far have been impressive (and expensive). Another pic:
It was around this time I realized the trains were not in service. Will told me some lines started up at 4:30. Google confirmed this.
At 4:45am Will and I parted ways. My train ride was filled with Walk of Shamers and the early shift. When I stepped out of Shinjuku station, the sun was up. It had be 15 years since I pulled an all-nighter. Let's just say it's not as easy as it used to be.
That's one thing I learned that night. I also discovered there's still good whisky being produced in Japan. It's just not being done by the majors, for the most part. It's young whisky, but it's good whisky, and it's expensive whisky. But I'd take 'em over Kavalan any day.
I was less than 40% through my trip, but it was the last time I drank Japanese whisky while in Japan.
At 4:45am Will and I parted ways. My train ride was filled with Walk of Shamers and the early shift. When I stepped out of Shinjuku station, the sun was up. It had be 15 years since I pulled an all-nighter. Let's just say it's not as easy as it used to be.
That's one thing I learned that night. I also discovered there's still good whisky being produced in Japan. It's just not being done by the majors, for the most part. It's young whisky, but it's good whisky, and it's expensive whisky. But I'd take 'em over Kavalan any day.
I was less than 40% through my trip, but it was the last time I drank Japanese whisky while in Japan.
Friday, August 4, 2017
Killing Whisky History, A Very Special Episode
To commemorate Diving for Pearls's's's TENTH anniversary, I am releasing to the world this Killing Whisky History episode about a Taste Off of two bottles of Kessler American Blended Whiskey. For science. For love. For truth. Press Play.
Wednesday, August 2, 2017
Highland Park 24 year old 1981 Riegger's Selection
I'm sad to say I've discovered the real joys of indie Highland Park waaaaaaaaay too late. Independent HP releases are getting fewer and fewer each year, and the double-digit aged ones are getting exorbitant price tags. So I'm going to just keep raiding my sample stash for fabulous items like this.
Distillery: Highland Park
Ownership: The Edrington Group
Region: Isle of Orkney
Independent Bottler: Riegger's Selection
Age: 24 years (1981-2005)
Maturation: possibly a refill bourbon cask
Alcohol by Volume: 50.3%
Chillfiltered? No
Caramel Colorant? No
(Thank you to Cobo for the sample!)
It has a straw color, which is great to see in a 24yo. The nose is of fields and farms. Hay, heather, lavender flowers, clay and barley. Chiles, ripe pears and mint candy. It shifts gears with time in the glass, releasing notes of lime juice, toffee pudding and apricot jam. The palate is intensely earthy and herbal. An organic mossy note, tar, rocks, salt water and mineral water. Coal smoke and a hint of weed. With time, a gorgeous bitterness emerges alongside a mild brown sugar note. The beachy, salty finish also has hints of lemons and brown sugar. Mint leaves and dried herbs. That herbal bitter note rumbles right on through.
Fan-fuggin-tastic. I didn't dare add water to this HP because it hit all the happy spots as is. A bit more rugged than the average well-aged HP, this whisky is A-OK if the field, farm, mineral and beach notes thrill your nervous system as they do mine.
The more whisky I taste, the further I drift from the most famous Malt Maniac's notes and ratings. So I was surprised to see that my review nearly mirrors Serge's. Back when he reviewed it in 2012, the whisky was long sold out. Now that 2017 is in its second half, my review is even less applicable to our lives. Glad I could be of service!
Availability - ???
Pricing - ???
Rating - 91
Distillery: Highland Park
Ownership: The Edrington Group
Region: Isle of Orkney
Independent Bottler: Riegger's Selection
Age: 24 years (1981-2005)
Maturation: possibly a refill bourbon cask
Alcohol by Volume: 50.3%
Chillfiltered? No
Caramel Colorant? No
(Thank you to Cobo for the sample!)
It has a straw color, which is great to see in a 24yo. The nose is of fields and farms. Hay, heather, lavender flowers, clay and barley. Chiles, ripe pears and mint candy. It shifts gears with time in the glass, releasing notes of lime juice, toffee pudding and apricot jam. The palate is intensely earthy and herbal. An organic mossy note, tar, rocks, salt water and mineral water. Coal smoke and a hint of weed. With time, a gorgeous bitterness emerges alongside a mild brown sugar note. The beachy, salty finish also has hints of lemons and brown sugar. Mint leaves and dried herbs. That herbal bitter note rumbles right on through.
Fan-fuggin-tastic. I didn't dare add water to this HP because it hit all the happy spots as is. A bit more rugged than the average well-aged HP, this whisky is A-OK if the field, farm, mineral and beach notes thrill your nervous system as they do mine.
The more whisky I taste, the further I drift from the most famous Malt Maniac's notes and ratings. So I was surprised to see that my review nearly mirrors Serge's. Back when he reviewed it in 2012, the whisky was long sold out. Now that 2017 is in its second half, my review is even less applicable to our lives. Glad I could be of service!
Availability - ???
Pricing - ???
Rating - 91
Monday, July 31, 2017
Drinking in Ikebukuro, Part 1
Tokyo guidebooks don't give Ikebukuro much love. They'll lavish praise on the hip Shimokita, or swanky Roppongi, or even the Ueno Zoo more than they'll talk up Ikebukuro.
One part of town the books always expend much ink on is Akihabara. And that's understandable. Some tourists will think, "Man, I gotta go to that super anime spot!" even if they don't know the first thing about anime. It's been about 16 years since I was really into anime, video games and other otaku stuff, so I found Akihabara to be operating on a different plane that my current state of consciousness. There's also a dearth of decent bars there. Yeah, one can find plenty of maid cafés, but they're not cheap and submissive girls ain't my thing. Maybe next time.
If you're reading this post, you're likely more into drinks than otaku, so you may want to visit Ikebukuro if you're on the west side of the city. There's a different flavor of quirk, more bars and less of a commercial assault than in Akihabara (which is on the center-east side). And if you're staying in Shinjuku or Shibuya, Ikebukuro is a quick zip up the Yamanote Line.
I enjoyed a rather extensive night in Ikebukuro, so I'm going to chop the recap into two posts, for your benefit and mine.
After spending the morning and afternoon getting vaporized in the Kamakura heat, I came back to my apartment in Shinjuku to take a disco nap. I was planning on meeting up with Will, owner of Buffalo Tap and a good guy (and more about him as we go), at his bar in Ikebukuro around 11pm. It was going to be a long night, and I'm older than I should be, thus this system needed a rest. The sweaty nap went on an hour longer than planned, which meant I was going to miss out on some of my scheduled stops. But man, I was exhausted and this rest was restorative.
By the time I got to Ikebukuro, the cat café was closed. The owl café was closed. Gyoza Stadium was closed. And I had to resign myself to the fact that I wasn't going to make it to Penguin Bar, something I do regret a bit.
Food was a must. My plan was to go to Ichiran, but that location, like every other Ichiran I saw during my trip, had a line out the door. So I wandered around dizzily until stumbling into a ramen place without a phoneticized English name. And no English menu.
But there were pictures of dishes! So I went with a bowl of noodles with a remarkable fish broth, and some crisp gyoza on the side.
Blood sugar regulated. Life was good.
Abbot's Choice, Ikebukuro
I had about a half hour to kill, so I stopped into Abbot's Choice to start my whisky night. I'd spied a few of these bars on Google Maps when researching destinations. There's one in Golden Gai, Roppongi and Shibuya, but I never saw this branch on the map.
Abbot's Choice is designed to appeal to Westerners or those with a Western hankering. The Ikebukuro Abbot's was very roomy (for a Japanese bar) with a number of bar tables that wouldn't look out of place at Buffalo Wild Wings. HD sports lit up the many TV screens and American pop music floated down from ceiling speakers.
I took a seat at the bar, opened up a whisky menu and quickly spotted something of interest. Yoichi 2000's. I'd seen the 1980's and 1990's selling for small fortunes, and I adore Yoichi, so this seemed like the perfect start.
Yet, though there was only one other customer at the bar, it was impossible to get the attention of the two bartenders. You see, my fellow patron was an American woman in her 40s or 50s slugging shot after shot of Fireball, slurring and shouting her way through terrible approximations of Japanese. Both bartenders found it hilarious. Even putting ¥2000 in cash on the bar and calling out sumimasen didn't make me worthy of their business until she stumbled out of the bar, trying to drag one of them with her.
At first I thought, "Damn, that's a terrible way to begin her night." But then I realized it was 10:15pm. The first shift of drinkers was clocking out. The second shift was clocking in.
Yoichi 2000's, OB, 57%abv
Its color is a medium gold. The nose is fruitier than expected, with lots of bourbon and new American oak influence. Caramel and butterscotch hard candies. Pears and grains. No peat. The palate leads with root beer and anise. More pepper than peat. Quite sweet with a silky mouthfeel. Very buttery too. After 10+ minutes a bitter bite slips in, providing a little bit of balance. More herbs with more time. It finishes with sweet vanilla and caramel. Malt. Minimal peat. Adding water makes it all much too sweet.
Wow, what a let down. American oak secures the front of the stage and never steps back. The herbal bitterness helped the palate out a little bit, but the whole thing needed less sweetness and more of something earthy or smoky to give it dimension. It's not the worst Yoichi I've had—their new NAS is embarrassing—but such a stellar distillery should be able to put out a special release better than this.
Rating: 76
I departed Abbot's Choice ten minutes behind schedule.
I'm going to skip ahead about 1.5 to 2 hours. I'll return to the missing section in Part 2.
The Crane Bar -- Ha! Just kidding.
One of the bars I was most looking forward to was The Crane. Located a few blocks from the train station, the bar was known to have a tremendous whisky selection, while being a bit on the fancy side. But early in the Ikebukuro experience, I learned that The Crane HAD CLOSED. Wat? Yep. In the middle of the Era of Crazy Whisky Prices, Tsurumi-san left the business. Of course my first question was, "What happened to all the whisky?!" We may never know.
After helping Will close up his bar, and by "helping" I mean sip some of his whiskies and not helping him at all, I requested we go to...
Quercus Bar
Quercus Bar was highly recommended in Chris Bunting's Drinking Japan book, but that was published six years ago. The two ratings on whiskybase are more recent and much less enthusiastic.
The good news about Quercus is its design is the exact opposite of Abbot's Choice. It's small and personal. The wood design is simple. The mood is quiet.
The entire right shelf behind the bar is full of dusty stuff. Most of the other bottles on the other main shelves can be found at other great bars around the city. Unfortunately the most exciting bottles on premises were off-limits, as they were private bottles belonging to members.
The bartender was nice enough, though Will is a much better bartender. And on a final note, Quercus's prices were the highest of all the bars I've visited in Japan. So Will and I each ordered only one drink while we discussed Fukushima and death and other baubles.
Teacher's Glendronach 8 year old single malt, late '70s or early '80s, Italian import, 43%abv
Its color is light amber. The nose is very much dusty old Teacher's-ish. (Apologies for the terrible description.) Bushels of oranges and lemons and apricots meet layers of dunnage and musty cask funk. More earth than peat. Curiously, the palate is more alive. Similar fruits to the nose, with McIntosh apples added in. Soil + metal meets cotton candy + lightly smoky peat. The peat moves far into the finish's background. Otherwise, it's mostly moderate levels of apples and earth.
The opposite of the Yoichi 2000's: very little oak, lots of spirit character; pleasant peat levels, a good balance and an impressive amount of dimension for its age. It's a type that's sorely missing from modern whisky, though I think Benromach comes pretty close to it at times. I do recommend this if you have a chance to try it, though I don't think it's worth the ¥3000 I paid for an ounce.
Rating: 87
It wasn't yet 2am when we left Quercus. There was more to explore. I'll return to the better components of that evening in Part 2, next Monday.
One part of town the books always expend much ink on is Akihabara. And that's understandable. Some tourists will think, "Man, I gotta go to that super anime spot!" even if they don't know the first thing about anime. It's been about 16 years since I was really into anime, video games and other otaku stuff, so I found Akihabara to be operating on a different plane that my current state of consciousness. There's also a dearth of decent bars there. Yeah, one can find plenty of maid cafés, but they're not cheap and submissive girls ain't my thing. Maybe next time.
If you're reading this post, you're likely more into drinks than otaku, so you may want to visit Ikebukuro if you're on the west side of the city. There's a different flavor of quirk, more bars and less of a commercial assault than in Akihabara (which is on the center-east side). And if you're staying in Shinjuku or Shibuya, Ikebukuro is a quick zip up the Yamanote Line.
I enjoyed a rather extensive night in Ikebukuro, so I'm going to chop the recap into two posts, for your benefit and mine.
After spending the morning and afternoon getting vaporized in the Kamakura heat, I came back to my apartment in Shinjuku to take a disco nap. I was planning on meeting up with Will, owner of Buffalo Tap and a good guy (and more about him as we go), at his bar in Ikebukuro around 11pm. It was going to be a long night, and I'm older than I should be, thus this system needed a rest. The sweaty nap went on an hour longer than planned, which meant I was going to miss out on some of my scheduled stops. But man, I was exhausted and this rest was restorative.
By the time I got to Ikebukuro, the cat café was closed. The owl café was closed. Gyoza Stadium was closed. And I had to resign myself to the fact that I wasn't going to make it to Penguin Bar, something I do regret a bit.
Food was a must. My plan was to go to Ichiran, but that location, like every other Ichiran I saw during my trip, had a line out the door. So I wandered around dizzily until stumbling into a ramen place without a phoneticized English name. And no English menu.
![]() |
| What most ramen restaurant kitchens look like. |
Blood sugar regulated. Life was good.
Abbot's Choice, Ikebukuro
I had about a half hour to kill, so I stopped into Abbot's Choice to start my whisky night. I'd spied a few of these bars on Google Maps when researching destinations. There's one in Golden Gai, Roppongi and Shibuya, but I never saw this branch on the map.
Abbot's Choice is designed to appeal to Westerners or those with a Western hankering. The Ikebukuro Abbot's was very roomy (for a Japanese bar) with a number of bar tables that wouldn't look out of place at Buffalo Wild Wings. HD sports lit up the many TV screens and American pop music floated down from ceiling speakers.
I took a seat at the bar, opened up a whisky menu and quickly spotted something of interest. Yoichi 2000's. I'd seen the 1980's and 1990's selling for small fortunes, and I adore Yoichi, so this seemed like the perfect start.
Yet, though there was only one other customer at the bar, it was impossible to get the attention of the two bartenders. You see, my fellow patron was an American woman in her 40s or 50s slugging shot after shot of Fireball, slurring and shouting her way through terrible approximations of Japanese. Both bartenders found it hilarious. Even putting ¥2000 in cash on the bar and calling out sumimasen didn't make me worthy of their business until she stumbled out of the bar, trying to drag one of them with her.
At first I thought, "Damn, that's a terrible way to begin her night." But then I realized it was 10:15pm. The first shift of drinkers was clocking out. The second shift was clocking in.
Yoichi 2000's, OB, 57%abvIts color is a medium gold. The nose is fruitier than expected, with lots of bourbon and new American oak influence. Caramel and butterscotch hard candies. Pears and grains. No peat. The palate leads with root beer and anise. More pepper than peat. Quite sweet with a silky mouthfeel. Very buttery too. After 10+ minutes a bitter bite slips in, providing a little bit of balance. More herbs with more time. It finishes with sweet vanilla and caramel. Malt. Minimal peat. Adding water makes it all much too sweet.
Wow, what a let down. American oak secures the front of the stage and never steps back. The herbal bitterness helped the palate out a little bit, but the whole thing needed less sweetness and more of something earthy or smoky to give it dimension. It's not the worst Yoichi I've had—their new NAS is embarrassing—but such a stellar distillery should be able to put out a special release better than this.
Rating: 76
I departed Abbot's Choice ten minutes behind schedule.
I'm going to skip ahead about 1.5 to 2 hours. I'll return to the missing section in Part 2.
The Crane Bar -- Ha! Just kidding.
One of the bars I was most looking forward to was The Crane. Located a few blocks from the train station, the bar was known to have a tremendous whisky selection, while being a bit on the fancy side. But early in the Ikebukuro experience, I learned that The Crane HAD CLOSED. Wat? Yep. In the middle of the Era of Crazy Whisky Prices, Tsurumi-san left the business. Of course my first question was, "What happened to all the whisky?!" We may never know.
After helping Will close up his bar, and by "helping" I mean sip some of his whiskies and not helping him at all, I requested we go to...
Quercus Bar
Quercus Bar was highly recommended in Chris Bunting's Drinking Japan book, but that was published six years ago. The two ratings on whiskybase are more recent and much less enthusiastic.
The good news about Quercus is its design is the exact opposite of Abbot's Choice. It's small and personal. The wood design is simple. The mood is quiet.
The entire right shelf behind the bar is full of dusty stuff. Most of the other bottles on the other main shelves can be found at other great bars around the city. Unfortunately the most exciting bottles on premises were off-limits, as they were private bottles belonging to members.
The bartender was nice enough, though Will is a much better bartender. And on a final note, Quercus's prices were the highest of all the bars I've visited in Japan. So Will and I each ordered only one drink while we discussed Fukushima and death and other baubles.
Teacher's Glendronach 8 year old single malt, late '70s or early '80s, Italian import, 43%abv
Its color is light amber. The nose is very much dusty old Teacher's-ish. (Apologies for the terrible description.) Bushels of oranges and lemons and apricots meet layers of dunnage and musty cask funk. More earth than peat. Curiously, the palate is more alive. Similar fruits to the nose, with McIntosh apples added in. Soil + metal meets cotton candy + lightly smoky peat. The peat moves far into the finish's background. Otherwise, it's mostly moderate levels of apples and earth.
The opposite of the Yoichi 2000's: very little oak, lots of spirit character; pleasant peat levels, a good balance and an impressive amount of dimension for its age. It's a type that's sorely missing from modern whisky, though I think Benromach comes pretty close to it at times. I do recommend this if you have a chance to try it, though I don't think it's worth the ¥3000 I paid for an ounce.
Rating: 87
It wasn't yet 2am when we left Quercus. There was more to explore. I'll return to the better components of that evening in Part 2, next Monday.
Friday, July 28, 2017
Bourbon and Rye Day Friday: Corbin Cash Merced Rye Whiskey
I knew nothing about Corbin Cash rye when my buddy Brett handed me a 2oz sample of it, more than a year ago. It sounded like yet another craft rye, probably two months old, something that will face the Market Correction Reaper in a few years.
Turns out, Corbin Cash has a pleasant story, and it's not one with Al Capone or George Washington or Ron Jeremy or John Wayne or Brooklyn water. Instead, the Souza family grows sweet potatoes up in Northern California and makes vodka out of the excess tubers. And, per K&L and D&M:
Distillery: Corbin Cash
Type: Rye Whiskey (no straight designation)
Region: Atwater, CA
Age: see notes above
Mash Bill: 100% rye
Maturation: new American white oak 53-gallon barrels
Alcohol by volume: 45%
At first the nose has a nice combination of apples, honey and cinnamon. Then a candy cane and some malt (yes, I know there's no malt in it). There's a wave of something green, like green onions and pickle brine. But it's subtle. Later on it mellows out into vanilla bean, toffee and cream soda. Lots of spice in the palate, both of the rye and oak variety. Every other note is in the background: stone fruit, bubble gum, fizzy minerals. A little bit of alcohol heat creeps up late, making it a bit sharper. The finish is a rye bomb, like Collingwood 21 but American style. By that I mean yooge. Plenty of pepper, rye bread, a little bit of tartness and fresh ginger.
THE TALE
Turns out, Corbin Cash has a pleasant story, and it's not one with Al Capone or George Washington or Ron Jeremy or John Wayne or Brooklyn water. Instead, the Souza family grows sweet potatoes up in Northern California and makes vodka out of the excess tubers. And, per K&L and D&M:
"It turns out that Corbin hasn't only been distilling sweet potato vodka over the past few years; they've also been growing, harvesting, fermenting and distilling their own rye ... The sandy soil of Atwater leeches a lot of the nitrogen deep into the earth and a cover crop is needed to help remove some of the nitrogen before another round of sweet potatoes can be planted. It just so happens that rye is the perfect cover."That's legitimately interesting to me. But, is the whiskey good? That's the important part, especially when a bottle costs $50+. As for its age, I've seen "up to 4 years" and "3.75 years". Yet, I don't believe they list an age on the bottle itself. So I went into my tasting with low expectations.
THE PICTURE
THE INFO
Distillery: Corbin Cash
Type: Rye Whiskey (no straight designation)
Region: Atwater, CA
Age: see notes above
Mash Bill: 100% rye
Maturation: new American white oak 53-gallon barrels
Alcohol by volume: 45%
THE REVIEW
WORDS WORDS WORDS
Much much better than expected. It's got a bite to it, but it drinks well neat. And the nose is very good. I can't help but think this is due to the rye spending some real time in a full-sized barrel. I'd even be willing to accept the 3.75 year story. While I'd love to see what happens with 4+ years (maybe 6?!), as it is this feels like a product ready for the market, unlike the vast majority of craft whiskey.
The price does give me pause. Three years ago, I'd be saying "You can get Willett at this price." Two years ago, I'd be saying "You can get Smooth Ambler at this price." Today, I can't say that. In fact, cheaper good rye options are dwindling. Rittenhouse BIB's quality isn't what it used to be. High West Double Rye's quality swings widely from batch to batch. Wild Turkey 101 rye is decent, if you can find it. Other MGP ryes are available here and there, but most cheap ones are very young ones. Pikesville 110 Proof and Russell's Reserve Small Batch might be the second and third best options at the under-$60 range, with Lot No. 40 (yes, the Canadian) leading the way.
So—I can't believe I'm typing this—but Corbin Cash might crack the top five sub-$60 rye list. That's partly due to the product's quality, but also inspired by the market itself.
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