...where distraction is the main attraction.

Thursday, August 16, 2012

NOT Single Malt Report: Canadian Club 6 year Blended Whisky (plastic-bottled in 2004, Ancient!)

After searching long and far, spelunking through the oldest caves, digging through the most ancient of ruins, sparing no expense, I've finally unearthed this great artifact from the history of distillation:


I postulated that this whisky, bottled in the year two-thousand-and-four (in the common era) by a company that no longer exists, must hold the secrets of the past or at least some leaching from its magical "unbreakable" bottle.


And it came at a burdensome financial investment.


Brand: Canadian Club
Distillery: Hiram Walker & Sons Distillery
Ownership: was Allied Domecq (now Beam Global)
Type: Canadian Blended Whisky
Region: Windsor, Ontario, Canada
Age: minimum 6 years
Alcohol by Volume: 40%
Bottled: (est.) March 1, 2004
Bottle code: 54 SL 24 LE 061 DW 15:08


How ancient is this bottle?  When it was being filled...

Justin Bieber was 10.  ADORBZ!
There was no Shake Weight.
The Red Sox still hadn't won a World Series in 85 years.
Aaron, Ruth, and Mays were still the top three career Home Run hitters.
No one had been properly Rickrolled.  Yet.
Glen Beck had yet to go on television.
Michael Phelps had zero Olympic Medals.
The cat hadn't yet asked if he could haz cheezburger.
The CIA had just admitted that there was no WMD threat from Iraq before the American invasion.
Janet Jackson had just accidentally purposely showed a pastie- (not pastry-) covered breast on live TV.
Lost in Translation had just NOT won Best Picture at the Academy Awards.
Johns Kerry and Edwards were still battling it out for the Democratic Party's presidential nominee.
Not many people outside of Illinois had heard of one Barack Obama.
Facebook was limited to Harvard University students.
The Passion of the Christ had just opened nationwide.
Friends and Frasier hadn't ended.
Kristen Perry was living in Spain and hadn't yet moved in with me.
I was young.

So this bottle is OLD.  Like before Rihanna and memory and stuff.

It was released by Allied Domecq Ltd before Pernod Ricard took over the company in 2005 and sold C.C. to Fortune Brands (which then spun off Beam Inc as its own corporation).

Canadian Club's origins can be traced back to 1858, when Hiram Walker of Detroit opened a distillery in Windsor, Canada.  He'd started making whisky in the US a few years earlier, but the Temperance movement was gaining steam in Michigan so he moved his business across the water.  He called the resulting product Club Whisky.  American whiskey companies got the law involved to force Walker to put "Canada" on the label on the theory that it would slow Club Whisky's popularity.  That backfired.  Seeing the boost in sales that resulted from the "Canada" on the label, Walker changed the name of the whisky to Canadian Club.  In the early 1960s Don Draper made it a permanent addition to his office's liquor cart and the rest is history.  Sorta.

With the weight of human history and American-Canadian relations on my shoulders, I opened the black screw-top.  The plastic angels had already walked off with some of the beverage over the last 8+ years, as the liquid level was below the bottle's neck.  Down to its collarbone.

My hands shook with excitement as I poured myself an ounce-and-a-half of history.  I took fifteen minutes to embrace this singular opportunity.  Then I began my nosing and tasting.

NEAT
At first in the glass, the whisky's color forms a strata of urine at the bottom and apple juice at the top.  After fifteen minutes it evens out to amber.  The nose is a fist full of vanilla followed by oak and mild grains.  There's more alcohol burn than one usually gets from a 40% ABV booze.  After time, there are hints of apricots and (much less subtly) white vinegar.  It's with the palate that things start to go askew.  It starts with bitter sugar cookies and imitation vanilla extract, goes to sour ladyfingers and then more bitterness, ultimately drying out the tongue.  It finishes with an oaky vanilla, bland sugar, but mostly a wallop of sourness and bitterness that lingers inconveniently like dog sh*t on a shoe.

WITH WATER (approx. 33.3% ABV)
Oof.  It may bring out brighter sugars in the nose, but the mouth gets so much bitterer.

The Malt Maniacs sometimes talk about the OBE (Old Bottle Effect) on whisky.  But I think they're just referring to glass bottles.  May I introduce OPBE (Old Polyethylene Bottle Effect)?

This whisky tasted almost nothing like any Canadian Club I've had.  I actually don't mind CC6 usually; I used to use it a bit for highballs.  The awful (and slightly worrying) sour and bitter notes are unique to this bottle.  Aside from those vaguely noxious notes, this CC6 was blander and flatter than the usual bottling.

A rousing success!  Anyone want to trade for a 2oz sample of this?!

Availability - This ancient bottling? My shady corner liquor store.
Pricing - Current (750mL) bottling goes for $12-$15
Rating - 59

Tuesday, August 14, 2012

NOT Single Malt Report: Taste Off! Maker's Mark vs. Four Roses Single Barrel

Quote of the day: "Tell me this doesn't smell like farty maple syrup!"

* * * * *

I just sighed deeply as I began this Report.  I'm still such a bourbon novice and this writeup may not do anything to strengthen anyone's opinion of my American whiskey knowledge.

But let's do it!

Here are the players:

Distillery: Four Roses
Ownership: Kirin
Type: Kentucky Straight Bourbon (Single Barrel)
Region: Lawrenceberg, Kentucky
Age: over 7 years, probably 8 to 12 years
Mashbill: 60% corn, 35% rye, and 5% malted barley (source)
Maturation: charred white oak barrels
Alcohol by Volume: 50%

and

Distillery: Maker's Mark
Ownership: Beam Global
Type: Kentucky Straight Wheated Bourbon
Region: Loretto, Kentucky
Age: minimum 2 years, likely 6 to 8 years
Mashbill: 70% corn, 16% soft red winter wheat, and 14% malted barley (source)
Maturation: charred white oak barrels
Alcohol by Volume: 45%

The Maker's Mark is from a 375mL bottle.  The Four Roses Single Barrel is from a 50mL mini I found at Hi Time Wine Cellars.  The bottles themselves are great.  Maker's has its distinctive shape and the dipped wax phallus at the top.  And the Four Roses had the heaviest sturdiest glass mini bottle I've ever bought (and I've bought a few).

The biggest difference (to me) between these two are the mashbills.  Maker's Mark uses wheat instead of rye in their mix and is heavily corn-ed.  Four Roses Single Barrel also has a bit of corn (51% is the minimum allowed for bourbons) but has a large balance of rye in there as well.  A second difference is that the Four Roses is, per the label, from one barrel while the Maker's is from a combination of a large number of barrels.

I really had no idea what to expect.  I'd never tried any Four Roses product previously, though I've been reading many raves about them.  I had bought the Maker's to perfect my citrusy boubon old fashioned recipe, but hadn't spent much time with it neat.  So, I thought trying them side by side would be a good way to sort out the nuances.

Just before I did the taste off, I read The Coopered Tot's six-part blind Canadian rye tasting.  It inspired me to do my mini taster blind as well.

As if trying to figure out two bourbons wasn't enough for me, I was about to set myself up for the embarrassment of not being about to tell these two very different bourbons apart.  Awesome!

But I did it anyway.  Kristen did the one ounce pours and labeled the glasses A and B.


After allowing the whiskies a 15-minute adjustment period, I dug in.  Here are my results:

Bourbon A
Color - Reddish copper
Nose - Black cherry syrup, milk chocolate, cocoa powder, the inside of the oak barrel, Cool Whip
Palate - Old school Robotussin, treacle, maple syrup, a little hot, a little aspartame
Finish - Long and warm, whipped cream, but more of that sticky aspartame thing

Comments - It's a little busy but enjoyable, though I could do without the aspartame notes.  After the first couple of sips I said aloud, "Oh no, I think I like Maker's Mark."  That means I kinda liked this bourbon and I guessed it was Maker's.

Bourbon B
Color - Clove honey
Nose - French oak-type pencil shavings, sweet oranges, cherry lolipops, gassy, maple syrup, frosting
Palate - Pencils, root vegetables, very sweet at first then mellows out, vanilla, sugar cookies, but ultimately very tame
Finish - A good length, more ethyl, floral and vanilla, marshmallows

Comments - Mild and tame, the sweetness would work better than A for mixing.  I thought that the mellowness meant that it was Four Roses.  So that was my guess.



Well, first thing's first.  My guesses were wrong.

A = Four Roses Single Barrel
B = Maker's Mark

I hadn't looked up the Four Roses mashbill beforehand.  Had I done so, I would have seen the good dose of rye.  My brain should have recognized the black cherry, cough syrup, and cocoa notes as the rye elements I like.  I knew Maker's had no rye.  I based my guesses on the mellowness of 'B' and the aspartame notes in 'A'.  So my guesses were silly.

Secondly, blindly tasted, I liked the Four Roses better.  (Do I get to keep any of my street cred?)  It was a little hectic, not necessarily messy but active.  The diet coke artificial sweetener note was odd though. It kept showing up with every sip.  Without that, it would have challenged Blanton's for my favorite bourbon.

Maker's is still quite the sweetie.  I don't mind having it around as a mixer.  Though I don't foresee myself jonesing for a glass neat nor on the rocks, it's still better than most cheap scotch blends.

Kristen seemed to prefer the Four Roses a little more too.  But neither swayed her opinion of bourbon in general.

After the taste off was done, I blended the last 0.5oz of Four Roses with 0.5oz of Maker's Mark (creating a fake mashbill of 65% corn, 17.5% rye, 9.5% malted barley, 8% red winter wheat).

It was wrong.  It was so bad that I rushed the glass over to Kristen, exclaiming, "Tell me this doesn't smell like farty maple syrup!"  For some reason she refused to smell it.

I buried that bad blend underneath an Old Fashioned and was much happier with that result.

The bourbon journey continues.



Maker's Mark
Availability - Everywhere
Pricing - $19 to $24
Rating - 77

Four Roses Single Barrel
Availability - Some US liquor specialists
Pricing - $40 to $45
Rating - 82

Monday, August 13, 2012

Some ramblings on a Monday afternoon

It's a quiet blog day for me.  I'm working on employment stuff as well as tomorrow's Taste Off report.

In the meantime, I recommend...

The Coopered Tot posted the results of his gigantic 6-part blind Canadian Rye tasting, along with some thorough analysis.  It's so good that it inspired me to amend part of yesterday's Taste Off.  More on my much smaller non-rye Taste Off tomorrow.

The Scotch & Ice Cream blog posted an intensive write up on three Canadian Ryes last week.  Jefferson's 10 year Rye is looking better every day.

If you're a sherry fan, Chemistry of the Cocktail did a write-up on three deeee-licious looking sherry & rye cocktail recipes.

Looks like everything is turning up rye!

On the Scotch front, if you have 15 minutes and a drink at hand, Malt Maniac Ralfy just posted a video about Kilchoman (one of my favorite distilleries) and young crafted whiskies in general.

And look at that black-shirted drinker on the left of the photo below:
Thanks to Shawn Bishop Photography and their the wide-angle lens, I look considerably more buff than I deserve to.  Anyway, that's a pic from the LA Scotch Club's Peetin' Meetin'.  And I'm reaching for the indie Ardmore, my fave of the evening.

That's all, see you tomorrow for some bourbon.

Friday, August 10, 2012

NOT Single Malt Report: Wild Turkey Rye 101

For the 101st whisk(e)y?

Wild Turkey Rye 101, of course.

Distillery: Wild Turkey (their website has no info on rye)
Ownership: Campari Group (via Austin, Nichols, & Co.)
Type: Straight Rye
Region: Lawrenceburg, Kentucky
Age: minimum 2 years
Mashbill: 65% rye, 23% corn, 12% barley
Maturation: "charred white oak barrels"
Alcohol by Volume: 50.5%

In 1869, the Ripy family started a distillery on Wild Turkey Hill in Lawrenceburg, Kentucky.  The distillery blossomed despite grain shortages, the Prohibition shutdown, and the federal enforcement of bourbon standards.  The brand, Wild Turkey itself, had been the product of large batch bourbon purchases from other distilleries.  But in 1972, the Ripy family's distillery was acquired to become The Wild Turkey Distillery.  In 1980 the company was sold to Pernod Ricard.  Then in 2009 Campari purchased the brand.

Now, let me clarify something.  Wild Turkey 101 Rye has NOT entirely vanished.  Reports of its death have been somewhat exaggerated.  It's still out there to be found (at least three local stores have started carrying it again), but it is considerably less prevalent.  As folks have mentioned (here, here, here, and here) there's a rye shortage in the US right now.  If the Lawrenceburg distillery is getting less grain, then they'll stretch it out (water it down) and bottle more of the 81 proof version.  And sell it at the same exact price.  So it goes.

Soonafter getting a few recommendations on for WT101, I read all of the rye shortage news and got caught up in the panic.  Suddenly, no one was selling this rye around here.  When I found a bottle in Palm Springs a few months ago, I thought I'd discovered a great secret whiskey source.  Well, it was a good catch and the price was right, but it was no miracle.

So it's tough to find, but it's still around, especially if you live in or near a major American urban area.

With that out of the way, I have to say, I've never met a rye I didn't like.  Something about straight rye's nose and palate, with its spice cabinet and floral cherry cough syrup highlights, always appeals to me.

There are few $20 bottles of Scotch whisky that can compete with the complexity and spice of a $20 bottle of American rye.  Do we have import tariffs to thank for this?  Or the raw power of the rye distillate?  Probably both.



NEAT:
The color is of a red-orange molasses.  Always looks nice in a glass.  The nose starts with candied oranges, buttery oak, and barrel char.  Then there's a dry vegetal note that joins up with a whiff of hay.  A dusty cocoa and mild ground black pepper linger in the background.  Cherries in syrup and cherry cough syrup lead the way in the palate.  Pungent fruit sugars and anise liqueur follow.  It's always sweet and spicy, getting sweeter the longer it sits in the glass.  It finishes with the cherry cough syrup, anise liqueur, and juicy sweetness.  Though it's surprisingly brief for its ABV.

It works well in a Sazerac (use real absinthe please!).  It's not bad in a Manhattan.  The dusty cocoa and barrel char elements should work well with some barbecue -- I'll try that this summer.

It stacks up pretty close to the Bulleit and Baby Saz straight ryes.  I won't declare a winner here since I've tried them in completely different circumstances.  I'll just have to drink some more rye, for empirical purposes, of course.

Availability - You'll need to do some Turkey hunting
Pricing - Excellent at $18-$21 (there are folks selling it for $30, shame on them)
Rating - 84

Thursday, August 9, 2012

About getting "Jewed"

While sitting at a mostly empty pub yesterday, I overheard two forty-going-on-twenty-year-old guys discussing selling their used cars.  The louder of the two kept saying over and over again that he didn't want to go under seven grand.  He listed the price as seventy-five hundred, but "seven grand, man, that's the lowest I would go."

He then proceeded to tell his listener how the eventual buyer had "Jewed him down to sixty-five hundred".

I hadn't heard the word 'Jew' used as a verb in over 20 years.  I didn't realize it was still being utilized in that manner.  But let's set aside the bigot implications for a moment and analyze the usage here.

A man (or maybe just a male of the species) is trying to sell his car via Craigslist or the newspaper.  Though he likely paid 15-25 thousand dollars for it originally, he wants a new car or needs to pay the rent or requires cash for his meth habit and is thus willing to sell the vehicle unofficially for a return he hopes is better than trade-in value.  He advertises his price of $7500 with the hope he'll find a buyer too frightened to bargain; but, just in case, he sets the bidding floor at seven grand.

Perhaps buyers are scarce in this economy or too much time passes and his ex-wife has hired a lawyer because she needs money for child support.  At that moment a buyer comes along; a buyer who's done his homework and knows the car isn't worth 7K let alone 7.5K.  So they negotiate, which is a common worldwide practice when buying and selling private goods.  The buyer starts at six grand, the seller at 7.5.

Eventually the buyer makes it clear he will leave before he pays seven thousand dollars, since he can get the same model for less from alternate sellers.  This seller, hungry to sell, shows his desperation too quickly and winds up taking sixty-five hundred in cash.

He's hurt.  His dominance over the circumstance has been challenged and overcome.  Upon relating this tale to another male of the species, he doesn't want to reveal his forfeited masculinity, situational embarrassment, and negotiation failure.  Thus he uses, quite freely, what he thinks is an insult.  But instead, to anyone within earshot, he advances his inadequacy.  Not only has he lost financially and testosteronally, but he's revealed a void in his humanity.

To the seller:  In your desperate attempt to demean a man who got the better of you in many ways, you deployed what you assumed was an epithet towards my people.  You lowered yourself and thus elevated the object of your resentment.  Congratulations, you failed again.

Wednesday, August 8, 2012

Things from space

REAL:


Full screen, hi-definition, 360-degree panoramas of the Mars surface are now online.

They are beautiful.


NOT REAL:

Okay, the trailer -- with its Malick-style visuals, inspirational voice-over, and the best music from the Lord of the Rings soundtrack -- is real.  But sadly, the son of Jor-El is not.

Tuesday, August 7, 2012

Single Malt Report #100: Glencadam 20 year old 1989 Cask Strength (Signatory)

Occasionally I reference the pivotal moments in my whisky fandom.  One of my favorites occurred in May 2011.

Kristen and I were on holiday in London, loving life.  Because we're museum geeks, I made sure that we went to the British Museum on our next to last day.  But before we were to enter that grand display of human creation and achievement, I wanted to go to a whisky store.  Just around the corner from the museum, in Bloomsbury, there's a shop that I remembered very vividly window-gawking during my previous London visit three years earlier.  It's called Royal Mile Whiskies.  And I didn't even need a map to find the shop that morning last May.  I remembered that window that well.

Once inside, I was all OMG! OMG! OMG! OMG! OMG!  Quietly though, it's Britain and all.  Somewhere in the universe there's a picture that my wife (sitting in the corner, as I have when she's gone clothes shopping) took of me, my hands clasped behind my back as I studied the shelves.  Any level of calm I displayed was a success.

I spent most of my time eyeing the Signatory whiskies, as they were the only indie bottlers I knew of at that moment.  The gent who worked at the shop was very helpful and very patient as I made dumbass comments about how f***ing ugly the Connoisseur's Choice labels were.

I tend to say stupid sh*t when I'm happy.

I first chose the Bowmore 16yr Signatory UCF 1994 which turned out to be one of my favorite all time whiskies.  Then I went back and forth and back and forth over the Cask Strength bottlings.  Should I have chosen the Clynelish?  Probably.  Should I have forked over 10-15GBP more for the Highland Park?  Yes.  But I went with the Glencadam.

Why?  I have no idea.  I had never heard of Glencadam before.  Maybe I thought that was a good thing; you know, like something definitely unavailable in The States.  Maybe I was intrigued by the idea that it was matured in a refill sherry butt -- which, I had no idea, has been a prevalent practice throughout whisky history.

But I went with it.  It was my first cask strength bottle.  And the only single cask-er I've ever had ...... so far.  Royal Mile shipped the parcel very quickly and safely to our LA apartment.  I opened the Bowmore that June.  SOMEHOW, I waited until September 2nd to open the Glencadam.


Distillery: Glencadam
Owner: Angus Dundee Plc
Independent Bottler: Signatory
Age: 20 years (September 1989 - April 2010)
Maturation: refill sherry butt
Type: Single Malt
Region: Eastern Highlands
Alcohol by Volume: 55.7%
Cask: 6019
Bottle #: 283 of 508
Chill filtration? No
Artificial colorant? No


When finished it two weeks ago, it had been a joy for all of its eleven months open.  Sort of a special occasion booze.  I decided early on that I'd do three sets of notes on the whisky as time and oxygen had their way with it.  Beginning, middle, end.

After writing each set of notes, I never looked back on what I'd written, maintaining an uninfluenced study the best I could.  I started this one week before my first Single Malt Report, so its open life stretched the length of time that I reported on the 99 other whiskies.

One question remains in my mind.  Did the whisky change or did I?



Here are the three sets of notes with my comments at the time of the tasting.

#1 - Beginning
29 September 2011 (27 days old)
Color - Golden, goes cloudy with water, brings out the yellows
Nose - Floral, tiny bit of leather
Palate - Light peat, then some cream sherry, oak, hot apples or applesauce
Finish - Starts out quiet then fades up, tapioca, nilla wafers

Comments - Even with 4 teaspoons of water it's still sticky and thick on the glass

* * * * *

#2 - Middle
1 February 2012 (5 months old)
NEAT
Color - Light apple juice
Nose - Surprisingly bourbony, spicy zing, apple juice, sultanas?, vanilla, gingerbread cookies for a brief moment
Palate - Cigars, smooth texture, sweet, alcohol hot, toffee and caramel sauce
Finish - Excellent length, cigar smoke, tiny bit of sweetness, vanilla

WITH WATER (approx 37% ABV)
Color - Gets very cloudy!
Nose - expectedly everything has mellowed, very dry wine, a little vanilla, oak, sugars
Palate - Creamier, some sweet sherry, much sweeter now almost like candy, sweet cream, nutty at the start, then some spices
Finish - Medium length, chocolate followed by vanilla ice cream

Comments - must have been a much-used refill sherry cask, very little color from the oak

* * * * *

#3 - End
27 July 2012 (almost 11 months old)
NEAT
Color - Bold gold
Nose - fruity (prunes, dried apricots, apples, very ripe peaches), something vaguely gaseous but not off-putting though this grows with time
Palate - pecan pie (nuts, pastry, and brown sugar), almonds, almond extract, still packing some alcohol heat, sweet, tannin drying, barley sugar
Finish - Tannin drying, lovely heat, a little sherry, nutty and sweet

WITH WATER (approx 37% ABV)
Nose - perfumy, tropical fruit, very light, Juicy Fruit gum, a little oak
Palate - very mild, but fuller texture, mineraly, light sugar, some bitterness
Finish - mostly bitterness remaining, mingling with light sweetness

Comments - still VERY cloudy with water, sediment at the bottom of the glass



Firstly, peat???  Wut?  According to Charlie Maclean's Whiskypedia, Glencadam uses unpeated malt.  But my peat sensors were very sensitive last year, as I was still trying to warm up to phenolics.  I remember saying, "Great, I bought two peated whiskies."  Perhaps it had something to do with a newly opened cask strength bottle because that peat element was gone within a couple of months.  Something cigar-ish remained in its place for a while.  By the end, the smoke was gone entirely, possibly replaced by dry tannins.

Next, the bourbon notes?  Per Whiskypedia, Glencadam itself ages their whiskies in ex-bourbon barrels.  Could it have been re-casked from ex-bourbon to ex-sherry when sent to Signatory?

At the start, the nose and flavor were a bit muted.  Or I was still new to the process.  But about midway through the bottle it had gotten sugary sweet, especially with water.  By the end, the fruits jumped out and the sweetness had tamed.

To answer the question: Did the whisky change or did I?

The answer is, yes.  :)

I actually liked it best at the end.  It was only 20% full for the last four months so some sort of oxidation had happened, but it didn't kill the whisky.  It didn't take to water very well any more, but was very pleasant when neat.

And my nosing/tasting notes seem to have gained detail, clarity, and focus throughout time.  By the end I was able to pinpoint the fruits and the nuts, which something I'm getting better at with my notes in general.

What will replace this in the Whisky Closet?  I don't know, but it had better be good for a long time.

Availability - Unknown, all of the major UK shops appear to be sold out
Pricing - Was in the 45-50GBP range (w/o VAT, before shipping)
Rating - 88