...where distraction is the main attraction.

Monday, January 13, 2014

NEEDED: Whisky Consumer Advocacy

I began 2013 as a fawning fan of all things whisky.  I ended the year angry.  Much of the latter part of the year I spent internalizing way too much frustration.  But I'm not keeping quiet this year because when it comes to whisky, though the liquid is fun much of the rest is not.

There’s a lot being written about whisky both online and in print.  Most of it ultimately serves as promotional material for large corporations.  Even when the crustiest and most cynical of us bloggers write, “Hey, this is pretty good” about a whisky, we’re helping get more bottles sold.  But saying something nice about something we like isn’t the problem.  The issue at hand is the widespread regurgitation and propagation of marketing material at the expense of factual information and independence.  Plenty of folks are writing to support the whisky industry, but how many are considering the readers and consumers?

Let’s take a step back for a sec.  There are many categories of people writing about whisky, each with different influences in play.

Firstly, we have independent bottlers, like Single Cask Nation and Caskstrength.  Then we have retailers, like K&L Wines, who also occasionally do their own independent bottling.  These first two groups have a vested interest in sales.  That’s their income, it’s their job.  As long as they clearly disclose to their readership their involvement with the industry, then it is up to the reader to consider how much that involvement influences the writers' reviews or opinions on the business.

Next, there are the paid writers.  Their numbers are few.  Paid writing gigs are difficult to come by in any industry and whisky is no exception.  Sometimes these (mostly) men publish books, but more frequently they write articles for a handful of whisky journals.  While books don’t require outright advertising by whiskymakers in their pages, the journals do.  Those print ads can be the cause of healthy skepticism in a reader.  On one page he will see an advertisement for Glenmorangie, then five pages later a loving article about Master Morangie Bill Lumsden, then twelve pages later a rave review of the newest limited edition GlenMo.  While I don’t believe writers are being forced to sculpt their content, journals (and books) will have a difficult time being published if the industry that creates their subject matter experiences a steep decline or is no longer deemed exciting.  So while the writers may not purposely write things to keep the industry zooming along, it is in the publishers’ interest that whisky revenues barrel ahead.

Finally, there’s the vast blogosphere.  There are hundreds of us writing and posting tasting notes.  Some of us have direct connections to the industry, most of us have none.  Some of us get free review samples directly from the companies, most of us do not.  Some of us shmooze industry types, some of us attend free tastings, some of us resell our bottles in the secondary market.  Some of us do none of those things.  But those things we do, those social or financial choices, must be disclosed to our readerships in order to give everyone what he or she needs in order to consume our content in an informed fashion.

Three months ago, MAO from My Annoying Opinions critiqued the blogging community both privately in the Whisky Bloggers Facebook group and publicly on his blog.  He challenged us by saying that all of our warm “fuzzy” buddy-buddy-ness with each other, and with whisky professionals, had created a “(soft) corruption”, and that any sort of “spirit of critique” no longer existed.  He was roundly shouted down and labeled a “troll”.  Perhaps people took issue with his tone, as he minces no words.  Perhaps people were very comfortable in their give-and-receive whisky lifestyle.  Perhaps people felt like they and their friends were being criticized as human beings.  Unfortunately the one blogger who answered the challenge and attempted some public self-deconstruction took all the heat for sins that have been more heavily exploited by others.  The discussion turned absolutist and staunchly partisan and ultimately everyone went back to his and her Twitter Tastings.  MAO's original reasonable point was left neglected, and I was left concerned that most of us couldn’t bear to spare any meditation on the matter.

Those who say that blogging is merely a masturbatory endeavor are either deluded, in denial, or protecting something.  Only masturbation is masturbatory.  Once your blog post is "published" an audience other than you, the author, reads it.  Sometimes it is three people.  Sometimes it is 300,000.  Your words appear on someone else's screen and exist in that person's life.

People buy bottles of whisky after they read our reviews.  Yes, even some of my readers have purchased things influenced by something I’ve written.  Even I, a reader who hates buying blind, have bought things after seeing a number of positive reviews by bloggers I like.  Whisky is getting very expensive and there’s a whole lot of marketing blather out there, so folks are looking for reviews that appear at least somewhat independent.

I’ll frame that last paragraph another way.  For those bloggers who are posting reviews of whisky provided directly from brand ambassadors or other industry employees, please disclose in your review that the whisky was provided directly from a brand ambassador or another industry employee.  And even more importantly, I urge you to consider your readers when writing a final assessment of that free whisky, because that whisky you received for free is not free to your readers.

If you’re posting a 90-point/4.5-star/A-rated review about your free whisky and you yourself are not running out to buy a bottle of it with your own money, then I encourage you to tell your readers why.  Those folks inspired by your words will need to spend their own income to get that same whisky.

And to all bloggers, before you continue perpetuating popular whisky tales, go in and do some research.  Give us facts.  For instance, here's one issue: people writing extensively or repetitively that whisky prices are going up due to shortages caused by massive whisky sales over the last several years.  There are tables and PDFs available via the SWA and Shanken News Dailey and Drinks Business Review as well as other (often free) spirits news sites demonstrating that growth of volume sales has not risen consistently from year to year nor has volume growth been consistent across all brands.  I am not denying that whisky revenues have been up, nor that volume sales were very good in 2013.  Just give some numbers and facts before contributing to the scarcity fears stoked by companies that stand to profit off of fear-based purchasing and the resulting price bloat.  If your research supports the scarcity story, then that’s fine, give us the info.

I also encourage independent bloggers to challenge the industry when their tactics either mislead consumers or blur the truth.  There are the small things cropping up on a regular basis.  For instance, when "news" broke that Diageo will be releasing a new range of Mortlach single malt, it was revealed that the entry malt will be named Rare Old.  As an entry malt, a non-age-statement entry malt, it is almost certainly neither rare nor old.  But nonetheless they named it that and it is purported to be priced in the JW-Platinum-$90-range.  Or, how about the catalyst to my current discontent?  The Glenlivet Alpha.  There was an almost total lack of comment on the cynicism behind the abandon-all-ye-brains-and-wallets approach to the Alpha, a glorified version of the Nadurra but at thrice the price and with a lower ABV to match.  Rather, quite a portion of the blogosphere seemed to fall over itself to get a sample and encourage the mad rush to buy into a zero-disclosure ugly marketing stunt.  Meanwhile, the Rare Old and Alpha lead to another concern on a much larger scale: the growing spate of NAS releases means even less disclosure about what's inside the product consumers are buying.  Why should we not question the industry's fear of informed consumers?  If we don't question, then who will?

This is my plea for all of us to maintain a level of independence and keep our readers in mind.  I used to have 40+ blogs on my newsfeed.  Now I have 10, and a couple of those I keep on the feed just to piss me off.  Yes, whisky is a tremendous and glorious thing.  But not every whisky is tremendous and glorious and excellent and a rip-roaring rollercoaster thrill ride.  If every single review you write is about an amazing whisky, then I stopped reading your blog.  If you never site where you've sourced your whisky, then I stopped reading your blog.  If your blog actively encouraged scarcity fear, then I stopped reading your blog.  If your blog made generalizations that only served to benefit the industry, then I stopped reading your blog.  All it would have taken to keep this reader around would have been some background information about your whisky and some facts to back up your stories.  These elements lead me to believe you have thought about your readers before you clicked Publish.

So where the hell did this post come from?

Stop and consider for a moment what you value as a drinker and what the industry values.  Do those values match up?  As a whisky consumer, I would like good whisky I can buy.  Publicly-traded whisky producers would like to sell as much of a product at as high of a price and at as low of a cost as they can.  I don’t like paying more for less.  In order to satisfy their balance sheets and investors (which they value more than their employees, customers, and product quality), and to thus maintain rising growth, corporations need me to pay more for less.  You see how these things don’t really match up?

I believe many of the actual distillers and blending teams are working their tails off trying to create a product they can be proud of, often with ingredients of lessening quality.  But because most companies desire constant revenue growth above all else – thus all of the lawyers, lobbyists, and marketing divisions – selling a brand is what’s important.  So what if they lose a customer like me?  There are new malleable customers to be had, everywhere.  The lose-a-customer-gain-a-customer approach is not the best way to do business, but the tobacco industry got by on it for years.

If you think I’m a commie dick for my anti-corporate ravings, that’s fine.  You won’t be the first.  But at least think about your readers, your fellow drinkers.  There are enough mechanisms in place to support the whisky industry.  Why not recognize the rest of us, the humans?

Nothing we, the blogosphere, write exists in a vacuum.  Our rave reviews can sell bottles, which may eventually influence prices.  Our perpetuation of marketing blurbs (whether fact or myth) can sell bottles, which may eventually influence prices.  I doubt my little bloggie here has much influence on its own, but it is part of the larger blogosphere and sometimes contributes to The Whisky Talk.  In fact, I think half my readers are my fellow bloggers, which is why I wrote this.  Diving for Pearls has been far from exemplary in the past and should be held to the same standards I just wrote.  So here are some disclosures:
  • 96% of my reviews have been from sample swaps, sample purchases, gifts from friends outside the industry, or my own bottles.  The remaining percentage includes whiskies I’ve consumed at ambassador/rep-led free tastings.  As of the beginning of 2013, I stopped rating whiskies consumed at these events.  I will make an effort in every review to reference where the whisky came from.  If I don’t, please call my attention to it.
  • I do know a few brand ambassadors and distributor reps.  I say this not as “I’m kind of a big deal”, but instead there are a few folks from The Dreaded Industry whom I find cool to chat and drink with.  None of these people have requested any reviews of their products.
  • I actually wouldn’t mind working in the industry in some fashion.  In fact, I’ve snooped around about a few jobs.  But since I socialize and network terribly, that’s probably cost me some employment.  And I’m pretty sure I’ve written a couple things that potential employers wouldn’t be terribly excited about.
I would like to see a strong smart independent whisky blogosphere.  That would be fun.  I would also like some good whisky I can buy.  That would be fun too.  These are things within our reach.  So, let's all work to bring the fun back in 2014, okay?

Friday, January 10, 2014

Single Malt Report: Laphroaig 25 year old Cask Strength (2011)

Okay, so you weren't too impressed with yesterday's leadoff 2014 report?
Then it's time to bring in one of the big guns.

See, I have some goodies in the stash.
This sample, about 35+ mL, was gleaned from the groovy Laphroaig Vertical back in December 2012.  Remember, this one?

Photo courtesy of the great Bino Gopal
I escaped the event with a few samples, such as the 2012 Cairdeas Origin, and will review the remaining ones before 2014 is done.

Today, it's the 25 year old Cask Strength, 2011 version.  I wasn't sure what to expect of it, since my notes from the December 2012 tasting were a little on the esoteric side.  Jim Murray said this particular 25yo CS was "quite possibly the finest bottling of Laphroaig" he's yet had.  That actually doesn't mean much in reality since we each have our own palates; and his prefers LVMH products.  But I digress.  The regular Laphroaig 18 year old, which weighs in at a similar ABV (48%) is a little on the soft side in my opinion.  Meanwhile the 21 year old CS in the group photo above, the "Heathrow" bottling, is damn near erotic.

So I wasn't sure how this one would play, though I hoped it would taste like Laphroaig.

Filled past the brim, my sample bottle runneth over.
Distillery: Laphroaig
Age: minimum 25 years
Release Year: 2011
Chill-filtration? No
Caramel colored? Probably not
Alcohol by Volume: 48.6%

Firstly, the nose is a novel.  It starts with chalk, cocoa, and Armagnac.  Some sweat, then a very fruity peat.  Mentholated Calvados, papaya, muddled ripe peaches, and sticky confections.  Then at the 30 minute mark, there's this burst of Southern peaches in the summer; that ripe scent you can smell right through the stem.  Then caramel sauce and peach creamsicles.  At 50 minutes, there's some sugary citrus, toffee, cherry liqueur, grapefruit juice, and a hint of iodine.  So, yeah, the nose is alright.

The palate is leaner, but more focused.  There's so much peat moss it's ridiculous.  Somehow it withstood all that maturation time.  Then very rich cigar tobacco, dog fur, a hint of orange peel, baby powder, and jasmine flowers.  (Some of those descriptors I haven't actually tasted, but the flavor reads identical to the scent.  Though, dog fur?  Yum.)  After 40 minutes, here's comes the vanilla beans, orange candies, and peach crumble.  Fruity but not super sweet.

The finish is peat peat peat.  Some of the nose's tropical fruits show up, as do the dogs.  Caramel, a little bit of peach, charred pork, and camphor.  It's immense, tangy, and fragrant.

That fresh peach note in the nose is a stunner.  It teleported me back to July 2004 in DC, as I tore through peaches by the pound.  In the mouth, the peat radiates so much more than it does in the 18yo.  The cask combination in here is seamless; I can't tell where the oaks start and stop.

Now don't......don't look at the price for sec.  I know you just did.  Crap.  Now you see that Macallan isn't the only one charging a fortune for 25 year old non-limited official bottlings.  In Laphroaig's defense, at least they're bottling at a higher strength and it's a little cheaper.  And that's about it for any defending I'll do about the price.  Money aside, this is great whisky.  It's my favorite Laphroaig that I've reviewed here, so far.

(Please note: Laphroaig has released at least six batches of the 25yo.  This review only covers the 2011 edition.)

Availability - Specialty retailers on both sides of the Atlantic
Pricing - $450-$500 (US), $350-$450 (Europe, shipping not included)
Rating - 92

Thursday, January 9, 2014

Single Malt Report: Finlaggan Cask Strength

BOOM!

Yes, ladies and gents, I'm starting the year in style.  High proof Fin!  After reporting on the 40% ABV version of Finlaggan -- a malt best used for whisky hazing -- I discovered there was this 58% version being sold in Europe.  I was much too energized by this discovery.  What's better than a mouthful of dirty Fin, but a mouthful of hot cask strength dirty Fin!  [Note to self: Why does cask strength sound so similar to castrate?]  I almost bought a whole bottle, just because.  But then after the thrill wore off, I found out that Master of Malt was selling it by the 3cL sample.  A much wiser purchase.

As I mentioned in the Finlaggan Old Reserve report, the majority of folks who've postulated about its origin say that it's probably sourced from Lagavulin.  A smaller group thinks it's from Caol Ila.  Though Loch Finlaggan and Finlaggan Castle are located much closer to Caol Ila, I find little to no CI notes in the whisky.  Instead it seems much closer to the Kildalton malts down South.

Recently both Chemistry of the Cocktail and My Annoying Opinions did great writeups challenging the widespread belief that cask strength editions of whiskies are consistently better than the reduced editions of the same.  I really recommend you give them both a read.  They make a lot of great points and give us consumers something to think about.  But damn it, after reading those posts, I held this sample in my hand not sure whether this Cask Strength version of The Fin was going to be better or worse than the Old Reserve.
BrandFinlaggan
BottlerThe Vintage Malt Whisky Company
Style: Single Malt
Distillery: Lagavulin or Caol Ila
Age: YOUNG
Maturation: probably refill ex-bourbon casks
Country: Islay, Scotland
Alcohol by Volume: 58%

NEAT
The color is a medium amber with some light gold lingering around the corners.  The lightness of color gives me some hope due to what appears to be little to no caramel coloring.  The nose starts off with lots of pine sap.  And a bitterness, if one can actually smell bitterness.  Then dried apricots.  Quite some charred oak at the start but it disappears quickly.  On the whole, it is smoke free while the peat shows itself in that pine note.  There's also an odd but not off-putting synthetic plastic-like note, which actually grows as the oak recedes.  More air...  Nail polish, a hint of sulfur, and rye new make.  The palate is full of burnt.  Burnt grass, burnt hair, burnt barley.  Lots of mint.  A soft bitterness.  And more of that rye new make thing.  It finishes with charred peat and honey.  Maybe some grapefruit and yeast.  It gets ashier and bitterer with time.

Oxidation makes it grow younger.  And I mean REALLY young.  I haven't had much experience with malt new make, but I have had some rye and corn white dog, and I'm getting a lot of distillate in this whisky once it airs out.

WITH WATER
Oh boy, a sewage note creeps into the nose.  Otherwise, more of the sharp piney peat.  More of the rye spirit.  Subtle stone fruits and dried lavender.  The palate remains lightly bitter.  The pine finds its way over here.  It's a little sweeter now with less of the burnt element.  A little smoke and some lemon rind.  The finish fades pretty quickly now.  Bitter peat moss, then a brief vague hint of the Old Reserve.

Adding water doesn't turn it into the Old Reserve, which plays well into Chemistry of the Cocktail's theory that different casks are used for CS releases versus reduced-ABV releases.

So is it better than the Old Reserve?  Yes.  Though that's not necessarily a big feat.  It does get a little soggy and slightly strange with added water, so I recommend it be tried neatly first.  The one element I noticed again and again is how much this felt like new make.  I've a had a few barely legal single malts before, but I'm not sure if any of them seemed this young, as in fresh off the still.

Even considering all that, it's less ugly and warped than the Old Reserve (nothing old or reserved about it), even though it thankfully hasn't been prettied up with oak manipulation.  Yet I wouldn't recommend anyone hurrying out to buy a bottle from Belgium.  Now let's see if I can find a sample of the 10-year-old Fin somewhere...

Availability - A few European retailers
Pricing - $60-$90, depending on shipping rates
Rating - 77

Sunday, January 5, 2014

The new grading system

After 18-20 hours of editing posts and spreadsheets, I think it's time for me to roll out the new grades.

When I first started the Single Malt Reports almost 2 1/2 years ago, I didn't have my own history of rating whiskies to reference.  Either it was excellent or good or drinkable or dumpable.  Though that's still sort of the basis of grading whisky anyway, I didn't have much of a system in place.

I'd spent the previous 15 years of my life privately grading films.  That system started with a five-star structure, but then expanded out into a number of spreadsheets, partially because I love numbers and partially because the sheer quantity of films allowed me to compare and contrast and thus produce a more honed 100-point system.

A week before I posted that first Single Malt Report, I figured out how to create stars and 1/2 symbols via HTML.  That was fun, so I used those.  After a little while, I had the brilliant stupid idea to actually rank the stuff I was drinking.  That's fine with 50 whiskies or so.  At 200 it got to be too much of a pain in the ass.  Plus that at level of exactitude, 200+ separate "scores", it stopped making sense.  After whisky #200, I knew it was time to start transitioning to a 100-point scale.

Michael Jackson had a 100-point scale.  Ralfy has a 100-point scale.  Robert Parker has a 100-point scale.  Jim Murray has a 100-point scale.  Whisky Advocate has a 100-point scale.  Serge has a 100-point scale.  But they're all different 100-point scales.  Parker assigns 100 points to wines rather regularly, to the extent that a 90 point Cab sounds like it's crap.  Murray's faves score at 97.5 each year.  Jackson didn't go above 90 often and neither does Ralfy.  While Serge does go over 90, he had only 3 out of 1000+ whiskies scored at 94 points or more in 2013.

There's also been a bit of discussion about whether reviewers really utilize the entire 100-point scale or if they just park themselves in the 80-90 range, using 10% of the possible grades.  I can understand that gripe.  Whisky Advocate rarely grades any whisky below 80.  Serge often drops into the 70s and a few times a year descends into the 50s and 60s when he finds real stinkers.  Ralfy seems to limit his video reviews to 80 or better.  So, yes, it can appear as if many of the major reviewers are neglecting a big part of their grading range.  Smaller reviewers, including me, dip below 70 rarely as well.  But that has to do with selection bias.  We don't have access to thousands of samples.  And if we do drink something, we're more motivated to go with a potentially enjoyable choice rather than something Cutty Sark.  For me, whisky is the best thing I've ever drunk, so I'm still going to find positives in the mediocre products.  On the other hand, most of the vodkas and tequilas I've tried would never make it north of 70 points.

All of my grades from this site are available on The Big Whisk(e)y List page (which has replaced the Whisky Rankings page).  And to be fully open with my approach, I'm also including the mean grade, along with the standard deviation, and a comparable A-F grade list utilizing the STDEVs (located at the bottom of the list).  When I first did these calculations, I happily discovered that my bias wasn't too high grading-wise.  Maybe a point of bloat overall, but that will shift and adjust as my future scores roll in.  I hope to enjoy many lovely drinks this year, so perhaps the mean may rise.

You can think of my system in terms of school test graves.  There's about a point of a curve up right now, so a 90 is still a B+.  Also, I want to make clear that when I score something in the low 80s, the whisky is not bad.  82 is middle range for me, think Glenfiddich 12 or Strathisla 12.  When the score drops into the low 70s, then we're talking about a D grade; the whisky isn't a total failure but it's not easily recommended.  When the score heads into the 60s or lower, I'm concluding something went terribly wrong.  And a score of 80 still means I'd pay for it at a bar, if I can afford it.

Which brings me to the $$$ situation.  The grades are generated without taking price into consideration.  There are 90+ point whiskies which are priced totally out of whack, while there are 70+ point whiskies that don't cost much.  I'm not taking price into consideration in my scoring because I'm simply (or not so simply) rating aesthetics.  I don't feel comfortable listing a price-quality ratio/grade because the damn drink keeps getting more expensive every week.  But don't worry, I'll bitch about discuss pricing issues in almost every post anyway, usually right above where I list the score.

So there are two ways to view the 100-point system.

There are comparable letter grades:

98 to 100 - ???
96 to 97 - A+ : The stuff that dreams are made of.
93 to 95 - A : Truly thrilling.  Can make one ponder his or her existence.
91 to 92 - A- : If the style suits your palate, I do not hesitate to recommend this lovely drink.
88 to 90 - B+ : Grand stuff, if I don't already own it then it's because the money tree croaked
85 to 87 - B : Great whisky. It makes me smile when I see it on the shelf at a retailer or bar.
83 to 84 - B- : Solid, reliable whisky. Not without its flaws, but the positives out weigh 'em.
80 to 82 - C+ : Average. Pending the price, something I'd still order at a bar.
78 to 79 - C : Drinkable, but mildly disappointing as the bad starts to outweigh the good.
75 to 77 - C- : Not terrible, may be just for specific palates.
72 to 74 - D+ : Difficult to recommended. Either it's too sleepy or it's among the least of its type.
70 to 71 - D : Not recommended.
67 to 69 - D- : Considerably broken whisky.  Should avoid.
00 to 66 - F : Failure from top to bottom.

Or a more simplified...

90 - 100 - Excellent.  A lovely drink and something I would hope to possess for myself.
80 - 89 - Good.  Always reliable and I would be happy to barter some cash for the liquid.
70 - 79 - Drinkable.  I wouldn't turn it down, but I personally wouldn't pay for it.
60 - 69 - Dumpable.  Mediocre or worse.  Truly not recommendable to anyone.
00 - 59 - Disgusting.  Need I say more?

Please know that I recognize how goofy it can be to assign measurements to something as gorgeous as whisky, whether with 5-star or 100-point scales.  I hope these changes add to my reviews rather than subtract, because they're here to stay.  Cheers!

Wednesday, January 1, 2014

Rating system under construction

Happy New Year, y'alls!  I hope everyone got that handle of Clan MacGregor that was on his wish list.  I don't know if I'll be posting any Best Of lists, but I do intended to post one or two thoughts on The State of Things (aka whisky stuff in 2014) next week.

Also for this new year, I will be changing my rating system.  So if you see some inconsistencies -- or more than there usually are -- it may be due to the updating of 250+ posts and a few other pages and a big spreadsheet.  I hope to have this finished in a week's time, after which I will explain further in a larger post.

Cheers!

Tuesday, December 31, 2013

The Time Had Come: Longrow CV versus Longrow Peated

One day I was going to have to move on.

Longrow CV was replaced by Longrow Peated almost two years ago.  I had become very attached to the CV (see here for my review from two years ago and then a second review here) as I have to many recently discontinued whiskys.  In fact, more than half of The Cabinet is made up of recently retired bottlings or earlier versions of "refreshed" whisky ranges.  I had no doubt that Longrow Peated (or LP) would be drinkable -- especially since I adore Longrow malts -- but, you know, it was so difficult to say good-bye to something that had quickly become like an old friend.

Like CV, LP has no age statement.  It doesn't seem to have the mix of cask maturations that CV had, instead likely being from primarily ex-bourbon barrels.  And I wouldn't doubt that it holds younger whiskies within.  But mostly the issue was that LP is not CV.  New could not equal Old.

But I bought a sample of LP for the inevitable day when a comparison would need to be done.

Here's the link to the Longrow 10 review posted yesterday
My bottle of CV had lasted almost 17 months.  I kept decanting it into smaller and smaller bottles, stretching it out and stretching it out.  Some oxidation had set in, lifting away some of the cask influences but not neutering its bold oceanic blast.  Now it had gotten down to its last sips.

I realized not too long ago, that due to the sort of year this has been, I was going to have to end it with this very matchup of Longrows.  Here it goes.


LONGROW CV
DistillerySpringbank
BrandLongrow
Ages: between 6 and 14 years (likely 7, 10, & 14 years in this specific bottling)
Maturation: sherry, port, bourbon, and rum casks
Region: Campbeltown
Alcohol by Volume: 46%

The nose begins with some naked spirit: barley, oats, and rice with a twist of antiseptic.  It's very herbal.  And a hint of something grilled and savory.  With some time in the glass, the whisky starts piping out sugary rum notes, fresh apricots, rich peat, tropical fruit-scented hand lotion, grapefruit peel, and brown sugar.  I also wrote, one "can feel the excited youth."  No matter how much oxidation theoretically occurred, the palate still packs a big bite.  Lots of barley.  Salt, vanilla, chimney smoke, and a medicinal bite (but not quite Laphroaig-sized).  There's the grilled, savory note and herbs that are herbal (i rite gud) and green.  It finishes full of malt and salt.  Not sweet, just strong barley, sea salt, and yeast.  Crisp, bready, and lengthy with the smoke ever lingering.


LONGROW PEATED
DistillerySpringbank
BrandLongrow
Ages: unknown, though likely younger than 10 years
Maturation: unknown, though my guess is ex-bourbon casks
Region: Campbeltown
Alcohol by Volume: 46%

The nose starts piney and fruitier than the CV.  Pine nut cookies.  Leather coat.  Seaweed and some of Springbank's industrial funk.  Then lemon meringue meets Cool Whip.  Vanilla extract, grapefruit, and lavender bloom (but NOT the dreaded Bowmore lavender, instead something much fresher).  On the palate: grains, grains, grains.  Like unsweetened breakfast cereal.  Twigs, dried leaves, and earl grey tea.  A very mild alcohol bite considering its youth.  A tangy Asian sauce and tart peat.  It feels mostly oak free, which is a thumbs-up from me.  The tangy note stays in the finish.  Like the CV, it's not sweet.  There's a little salt, something oily, some vanilla, a hint of cigar smoke, and lots of toasted grains.

Guess what?  Longrow Peated ain't bad.  In fact, it's pretty darn good.  It's not a complicated drink and its phenolics feel milder than my oxidized CV.  But it's solid in its leanness.  I'm thinking there must be a considerable refill cask contingent here, no matter what those casks had previously held, which in turn highlights the good distillate within.  And this makes me happy.  While it probably won't knock CV off its pedestal, Longrow Peated will find a home in my cabinet at some point in 2014.

As for CV, I still like it as much as I had in its previous two reviews, so its rating doesn't change.  But as I part with 2013, I part with my old whisky.  May the new year bring many more new discoveries.

LONGROW PEATED
Availability - Specialty liquor retailers
Pricing - $55-$65
Rating - 88

Monday, December 30, 2013

Single Malt Report: Longrow 10 year old

I'm going to end the year with Longrows.  Firstly because Longrow is good.  Secondly, because it is a December whisky.  Thirdly......well, you'll see why in tomorrow's review.

Two weeks ago, I lined up a three-part Longrow Taste Off.  One was from my own bottle, one was from a gifted sample, and one was from a purchased sample.  There wasn't a bum in the bunch.  But this one packed a bit of a surprise.


The official 10 year old Longrow was released by vintage year starting in 1991 when the Springbank distillery re-started their regular Longrow spirit runs.  The quality and content of each year's bottling varied noticeably, as per Serge Valentin (see his reviews here).  On the technical side, the vintages from 1991 to 1996 (bottling years 2001 to 2006) have their stated vintage on the label (like the second whisky from my review here).  But after that, beginning in bottling year 2007, the vintage year was dropped, which was likely done so in order to give them the flexibility to produce a 10 year old when needed.  The 10 year old in today's review is one of these non-vintage bottlings.  The sample was poured from Florin's bottle (Thank You, Florin!) on the morning after the birthday booze bash.  We couldn't find the usual Springbank bottle code stamp on the bottle, so all I can confirm is that the whisky was distilled between 1997 and 2001.  I'm not sure if they've bottled any 10 year olds recently, which might explain its scarcity.

DistillerySpringbank
BrandLongrow
Age: minimum 10 years, distilled sometime between 1997 and 2001
Maturation: primarily ex-bourbon casks
Region: Campbeltown
Alcohol by Volume: 46%

The nose is an absolute fruit bomb.  Though it starts with whoosh of a modern minty-style absinthe, it goes directly to overripe (maybe even rotting) cherries.  Then peaches.  Then good fuji apples, grapefruit, and juicy in-season plums.  There's some tropical fruit candy and honeyed peat as well.  Meanwhile, the palate goes in a different direction, and is more fragile as well.  The fruit becomes slightly floral on the tongue.  Then there are vanilla beans, soft smoke, soft peat moss, and a slight medicinal quality.  With some air, a hint of mango and rosemary shows up.  Some ripe fruits come back in the finish.  Peach, mango, and sweet clementine juice.  There's a peep of bitterness in there, along with some salt.  The smoke remains in the background.

To my considerable surprise, this nosed like an old ex-bourbon-cask Highlander.  Gorgeous, but huh?  The palate, while limited and subtler, was very focused and mostly Springbank spirit driven; thus positive in its own way.

Here's where things get interesting.  Over a year ago, Jordan at Chemistry of the Cocktail reviewed the same whisky from the same bottle but found completely different notes.  BUT, the whisky has been opened for more than a year since Jordan's review.  Thus oxidation has very much set in and, I believe, has worked some wonders on the whisky's nose.

I'm becoming more and more of a fan of the effect limited oxidation has on a bottle of whisky.  The booze at the top of the bottle can be a bit tight or harsh.  The booze at the bottom can get soft.  But at mid-bottle, it's juuuuuuust right.  Of course this isn't true 100% of the time, but it seems to be happening more often than not with my own bottles.  And, in my opinion, it has occurred with Florin's bottle of Longrow 10 year old as well.

I score this one highly due to this great experience, but please note, there can be considerable batch variation in Springbank's products.  I cannot promise your bottle of Longrow 10 (if you can find it) will kick this much ass.  In fact the odds are likely against it, especially since I don't know what year my sample was distilled and bottled.  But if you like Longrow and Springbank, this whisky shouldn't disappoint.

Availability - Happy hunting!   :)
Pricing - $75-$100  :(   (sadly, buying it from the UK won't be much cheaper)
Rating - 91